Pink Floyd's Dark Side of the Moon

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Pink Floyd were influenced by a number of artists throughout their career, helping them towards the sound they achieved on Dark Side of the Moon. Miles Davis, one of the most important musicians of the second half of the twentieth century, helped create modern jazz as we know it. It is reported that Richard Wright would often lose himself in jazz records, particularly the work of Miles Davis, through his hard bop style in the 1950’s, experimental ambient sound in the 1960’s, and his rock and funk records in the 1970’s. Wright has said himself that one of his favourite pieces ever was Miles Davis’ take on Gershwin’s Porgy and Bess from the 1959 Kind of Blue album, which was a key influence to the composition of the chord sequence which forms the song Us and Them from Dark Side of the Moon. The Beatles were a band that influenced Pink Floyd greatly in the lead up to the release of Dark Side of the Moon; most bands were influenced by the Beatles at this time. Sgt. Peppers Lonely Heart Club Band, labelled the bible of summer 1967, gobsmacked musicians all over the world, Pink Floyd being no exception. When Syd Barrett was still in the band, he quoted from the album‘s title song in his own single Apples and Oranges, while Walters twice quoted Lucy in the Sky with Diamonds, lyrically in Let There be More Light, and musically in Point me at the Sky. When Gilmour joined, he took much of his guitar sound from the sonic palette used for The Beatle’s The White Album. He used the arpeggios of Dear Prudence and You Never Give Me Money as jumping off points for his own playing, particularly on the tracks Any Colour you Like and Eclipse from Dark Side of the Moon. Roger Walters was a big fan of John Lennon, who took inspiration from the confessional song writing style of Lennon’s 1970 Plastic Ono Band. Possibly the biggest influence on the recording of Dark Side of the
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