He grabbed hold of a saxophone at the age of 13 and shows great talent. At a young age, Coltrane also tried to imitate the sound produced by the likes of Charlie Park and Johnny Hedges. As his career progressed, he had influenced countless musicians and he remains one of the most important saxophonists in jazz history. The way John Coltrane plays his 3 different types of saxophones, which were the alto, soprano and the tenor. He also played the clarinet and the alto horn.
These bands used to be called as ‘New Orleans Jazz’. During 1920s, white jazz bands’ pieces were called ‘Dixieland jazz’. However from 1940s, people combined those two types of bands and call them ‘Dixieland jazz’. Dixieland jazz style was created in the early 1920s. Dixieland jazz style is strongly influenced by the ‘traditions of blues, ragtime and brass band because Dixieland jazz was created when the traditions of blues, ragtime, and brass band were integrated into one musical piece’ (http://www.historyjazz.com).
Jazz Band II 18 October 2013 Mike Vax: BigBandJazz.net Mike Vax is an outstanding trumpeter who specializes in Jazz studies. On his album “BigBandJazz.net” he plays in a Ferguson-esque manor, not in terms of range, but style—playing over the band as the featured soloist. The first track on this album is “Royal Rendezous”, a Mike Vax original, which is a nice and mellow swing chart featuring tenor Scott Peterson and trumpeter Mike Olmos on the solos. I really enjoy this song because it contrasts in balance and dynamics. For example, the song at times changes from a quiet saxophone soli, to a loud shout chorus, to a uniquely created improvised solo.
I melded the “beyond category” individuals of my orchestra into the most well-known jazz orchestral units in the history of jazz. My style is often used to create the many styles of music today, like a foundation or standard to make other music. My reputation increased after my death on May 24, 1974 because of the broad influence of my music and its diversity. I am the greatest icon of the 1920s. I am the one and only,
Jazz can be found in day to day life if you know what your looking for, such nas when an operator puts you on hold or in the elevator. Ferther more, Jazz is concidered by many as the most americana stlye of music. Influences in art, movies, television, and other genres can still be noteorized in todays moderen era. Diversity in Jazz has made the genre very adept, changing as people do. Founded in New Orleands in the early 1900's was the greatest platform for success.
Briefly describe three contrasting techniques of improvisation; using examples from the three jazz set works you have studies. One highly common technique of improvisation is chromatic alteration throughout solos where notes outside of the chord are used in order to extend the harmony and add tensions to the chords. For example blues notes are used in all three set works. The use of the flattened 3rd and 7th are particularly noticeable in the clarinet counter melody in the 4th chorus of Hotter Than That. There are also blues inflections in the vocal and guitar duet where the flat 3rd is emphasised by bending the notes at the beginning of phrases.
Blurring the Lines: The Importance of Classical Music in Jazz 6-9/11 The traditions of jazz and classical music share few similarities in their evolutions. The former is a relatively recent music, descending from military bands and traditional African chant and blues, whereas the latter is a timeless evolution of theory and compositional practices, exemplified by the canonic works of Western European history. But in these two seemingly different traditions, there is a unification, sometimes intentional, sometimes not, that transcends boundaries. That unification is in the language, the harmony and melodies, of the music, and it behooves us all (that is, students of jazz) to give a great deal of credence to any artist who has mastered this language, no matter the medium in which it is performed. I intend to argue that for a jazz player to be a holistic musician, a master of styles, they must immerse themselves in both the traditions of the classical composers and the jazz performers, for in actuality, they are one and the same.
Count Basie “Jumpin’ at the Woodside” Count Basie was born in 1904 in Red Bank, New Jersey, and grew up playing the piano. He was a leading figure of the swing era in jazz and formed the Count Basie Orchestra, which was one of the first big bands made. The band reached fame with hit songs such as “One o'clock Jump” (1937), “Jumpin' at the Woodside” (1938), and “Taxi War Dance” (1939). However, I will be focusing primarily on the song “Jumpin’ at the Woodside” and educate you with an in-depth description of the piece. It was recorded on August 22, 1938 by Decca Records, whom he had a record deal with.
It also had deeper roots in a style of music called “Blues,” which was used to express the daily experiences of the community (History). Other influences include the combination of West African folk music with the popular classical music of Europe, developing into syncopated rhythms and chord variations on classical pieces (Passion). Jazz started when World War I had just ended and a social revolution was on it's way. Customs and values of previous were rejected. Life was to be lived to the fullest.
“All the things you are” is a song composed by Jerome Kern, with lyrics written by Oscar Hammerstein II. It is acknowledged that this song is one of the most well-known and standardized jazz style music in our time. Actually, it can be divided into four sections, which is an AA’BA’’ structure. A is labeled as the first section of the tune, comprised of bars one to eight, continently with A’, which contains another eight bar phrase. The difference between A and A’ is about their keys.