Like many feminist writer, Cockerline focuses her emphasis on how social norm discriminate women by inhibit their job opportunities. Throughout the history, social norm restricts women’s power by only allow them to contribute to certain job tasks such as maid, cook, and house keeper. In the beginning of the story, Elizabeth’s father “refuses[s] to pay her school fees” since “his wife had finally birthed a son” directly supports the idea that men are more superior to women. Since education is one of the key elements that lead to better chances of having a job, the narrator eliminates this opportunity to contribute to Elizabeth’s misfortune. Furthermore, the narrator indicates “[i]t can be a hard place for a
In contrast to Cindy’s new found self esteem, her mother seemed to uphold a strong lack of confidence in her daughter and in herself as well. By the same token, in the second article “The Thrill of Victory … The Agony of Parents”, the author presents the opposition through her mother. Jennifer Schwind’s mother appeared as an embarrassment to her publicly and emotionally. “In a voice so screeching that it rivaled fingernails on a blackboard, she told him that he was a disgraceful coach and that he should be ashamed of himself” (Pawlak 3). While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child.
The Women of Waknuk The Chrysalids by John Wyndham illustrates women differently towards their husbands, and their family members. Women in Waknuk are pressured to be perfect. Most likely women like Elias Strorm’s wife, who was a beautiful young lady. Elias Strorm’s strict ways turned his wife into a withered, grey woman, who was almost glad to die one year after David’s father was born. This explains that such a society stifles life.
The mother doesn’t understand the daughter’s life, and this failure to understand leads to her to distrust her daughter. Dee sees her new persona as liberating, whereas the mother sees it as a rejection of her family and her origins. Dee indeed rejects her family by changing her name to “Wangero”, “she’s dead”, she responded when asked “what happen to Dee” (28). Later, Dee tried to get stuff from the house like the bench, the butter chunk, just as decorative objects but her mother sees those “objects” as a symbol, as a living proof of her family, her tradition. The mother wants her daughter to see those precious objects that way too.
Euripides has been accused of being a misogynist as well as the world's first feminist. In your view, do the portrayals of Medea and Jason allow such contradictory interpretations? Euripides' Greek tragic play, 'Medea', depicts a wife's desire to right the wrongs done to her by her husband and in the pursuit of satisfaction, she commits the heinous of crimes, infanticide. The play is set in a patriarchal society, where women are treated as mere tools to satisfy their male partners. Euripides' portrays Medea as both a weak and strong woman, being able to stand up to some of the male characters and simultaneously succumb to their presence.
Later in the poem, Hughes accuses his wife of abandoning her family. The repetition of “you” in the lines “unravelled your marriage, left your children echoing like tunnels in labyrinth, left your mother a dead-end” emphasises the immensely accusatory tone of the poem. These accusations in The Minotaur show that Hughes puts all blame for their failed marriage onto his wife, and is not taking any of the responsibility. Hughes’s view of Plath is a conflicting perspective to society’s view of the couple’s relationship. How Hughes portrays his conflicting perspective
They begin to harbor anger towards their husbands who “still view child care and household chores as women’s work” (Bennetts 419). For Bennetts argument to be valid, the assumption must be made that all women, or at least a vast majority, are in a “permanent state” of anger (Bennetts 418). It would also have to be assumed that men are unwilling to help out when it comes to childcare and women view the responsibility as a large burden. However, no evidence is put forth to support these claims. She fails to recognize the fact that some women might prefer to be a large part of their children’s lives and would rather
When a child responds in an uncontrollable manner, it usually means that he or she is uncomfortable and want to return to his or her comfort zone. When Rosaura has Esperanza in her care, she does not have the same feeling she has when she’s with Tita. When she’s out of Tita’s hands, the narrator says “the child had outshone herself, she sensed her aunt was thinking of getting married and departing the ranch, leaving her behind all adrift, for all say long she never stopped crying” (148). The sense Esperanza feels when she knows that she is drifting apart from her mother makes her cry uncontrollably. Esperanza will never feel comfortable around Rosaura because she is always with Tita.
During this process her daughter’s destiny goes astray from what she had envisioned for her and blamed herself for the outcome. Although, to some it may seem that she took the easy way out, this mother battles herself all the while asking herself what she could have done differently. Her daughter Emily was brought into the world during “The Great Depression”. Not too soon afterward, her father walked out on Emily and her mother and had left them to fend for themselves. The mother found a job that would help provide for them.
Regardless of the sacrifices she made for him, she ended up being banished by the King of Creon and then deserted by Jason, only to be left with Jason’s two sons to raise all on her own. In addition to this, she gives much of her time and energy to make Jason happy, along with raising their children, only to him leave her for a younger and more beautiful princess. The jealousy and rage that is exhibited by Medea may be a reflection of how she sees her position in society, in which men are in control and she is forced to and be submissive. In seeking revenge on Jason, she is fighting back against her oppression and lack of power in owning her choices and future. Medea feels in order to be at peace, she must destroy Jason regardless of the