Structures in Jazz

625 Words3 Pages
In jazz music, structures are used as blueprint by musicians to maintain place and order through a piece of music. I believe that structures are vital in Jazz due to the complex nature of the art. Are structures in jazz too limiting? I do not feel that structures are too limiting to performers. They allow musicians the freedom to express themselves creatively within the context of these rules. This essay will be covering what some of these rules are and how they are used in jazz to shape and structure it. In the reading assigned to us during week two I came across A Concise Guide to Jazz, by Mark C. Gridley. This reading passage really helped me begin to understand all of the sounds that I have come across in week one and week two listening assignments. In listening to pieces such as Dizzy Gillespie’s- Groovin’ High or Charlie Parker’s- Moose the Mooche, I had no clue what I was listening to for the first time. Both pieces begin at a pretty fast pace, incorporating at least 6 or 7 instruments immediately. To an untrained listener such as myself, both pieces sounded like a cluster of instruments competing to be heard in a given time. It turns out that I did not give the art nearly enough credit. The pieces are actually more structured than I imagined both beginning with what is called head. Similar to an introduction in an essay, the head introduces and lays out the foundation followed throughout the tune. The head is played two times one after the other forming what is known to be the chorus. The chorus is usually a set of predetermined cords agreed to be played by band members, along with tempo. The tempo usually refers to the speed or timing of a beat of a piece of music. As mentioned in A Concise Guide to Jazz, by Mark C. Gridley. These two elements “are the glue that holds the music together”. They assist a band in keeping their place in throughout the
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