Metamorphoses, the Voice of Augustan Politics

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In his epic poem Metamorphoses, Ovid uses a variety of metaphoric changes and transformations to represent social and political issues existing in Rome at the time. Ovid wrote the Metamorphoses in the beginning of the first century A.D., a period of relative peace During this time, Augustus was consolidating much of the power of the Republic into the executive branch, and ultimately to himself. Throughout the Metamorphoses, Ovid uses various stories to represent the ongoing political dynamic in Rome: As the Roman Republic withered away and Augustus all but formally established himself as emperor, the Roman Senate lost its power and influence, and the Roman people lost their voice in government. In book II of the Metamorphoses, the episode of Jove, Callisto, and Arcas, Ovid tells how Jupiter deceives and rapes the nymph Callisto. Juno, Jupiter’s wife, is outraged at her husband’s infidelity, but takes her anger out on Callisto, beating her as punishment. Realizing that Callisto would appeal to Jupiter for help and protection, Juno transforms Callisto into a bear, robbing her of her ability to speak and, thus, preventing her from asking Jupiter to intervene on her behalf. In the story, Callisto is left to roam the forests as a bear and “she reared up and raised her hands to heaven, her gestures showing what she could not say: the pain of Jovian ingratitude,” as her inability to speak was the cause of her dilemma (pg. 71). If Callisto had a medium to appeal to Jupiter for help her fate would have been different, but she was made mute and rendered defenseless by Juno. Ovid’s portrayal of the story of Callisto draws similarities to the Roman political situation under Augustan rule. Callisto was left powerless by her inability to plead with the powers that be, in this case Jupiter, by her inability to speak. This absence of a voice to speak on her behalf allowed Juno

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