Mrs. Turpin and Grandmother, the central characters of “Revelation” and “A good man is hard to find,” by Flannery O’Connor, are both in need of a truth check in their lives. . “As in all of O’Connor’s stories, the violent surface action only begins to suggest the depths and a complexity of meaning embedded in the story. This is especially true when considering the mystery of evil and its relation to the action of grace” (Desmond). Mrs. Turpin considers herself morally superior to others by being a “lady,” and she judges people on their appearance before she even knows them.
She simply will not let the matter rest and it is her persistence that allows Mariane to realize that she does not and should not have to marry Tartuffe when she is in love with another man. Dorine and Mariane are examples of strong women that defy societal norms and become stronger individuals because of it. They challenge what is simply accepted by other women and demonstrate that women do have voices and deserve to be heard. This inparticluar is something I really enjoyed while reading this play. the entire play represents a clash of reason and feelings.
People who have been cheated on will start to feel sorry for Bundy because they know how it feels to have to catch the one you love in the compromising situation. She then goes into a spill on how the man must have never loved her at all. She cries out, “didn’t love me ain’t no fool”. This is very logical because any man who has ever really loved a woman could not bring himself to being unfaithful. She goes into a description of how love has let her down and she will not be strung along, this builds pathos and ethos because she gets herself out of the situation by leaving him.
I mean, I knew she was a manipulative bitch, I just thought she may have still had some feelings towards me. As I arrested the serpent for capital treason, I remembered the letter and called upon the helpful stranger who had opened my eyes to everybody’s treachery. Dear, Edgar was revealed to be loyal and dignified and I was very sorry that I had ever thought worse of him. I had no sympathy towards my sister’s and my wife’s death. They were evil and so were their motives.
Their need for comfort from the people they love and care for the most leads them to do whatever it takes, so they might be accepted. Along with being mentally isolated from the other characters in the play these women are also physically isolated and intellectually isolated from everyone. Part of the reason these women were so severely isolated from other characters is because they lived in the Elizabethan period. During the Elizabethan era women were raised to believe that they were second- rate citizens. To ensure that people continued to believe this concept the church used this verse from the bible as proof “woman in her greatest perfection was made to serve and obey man.” This belief put women in a state of being mentally isolated from men.
We meet John Proctor whom Abigail is in love with. He does not love her back, he is married and has children, but she still keeps believing Proctor will be hers. In line 471 she says: "You loved me, John Proctor, and whatever sin it is, you love me yet!" Everything she does is for the sake of love. Which is not an excuse at all, but now it makes more sense why she gets into trouble connected with witchcraft and involves the girls in it.
Showing that she would be even more of a man if she were him, thus forcing him to slowly leave his conscience aside and do what his wife has told him. She also presents herself as a cruel and evil character when she says, “That which hath made them drunk hath made be bold” shows that she is guiltless and not worried about the consequences of her actions. And Despite all that her husband is saying in this scene about this guild Lady Macbeth somehow remains adequately hardened to the deed that she has done and even goes on in this scene to make several horrific and ironic comments, which is believably since it is coming from her cunning mind. But I would say that just by looking at this scene I can tell that lady Macbeth is a cold and Two-faced woman who will go through life-threatening things to achieve what she
However, Lady Macbeth is much stronger, and more decisive, ruthless as well as aggressive, especially when she is facing death. In behaviors, Macbeth acts so weak that he is subordinated to Lady Macbeth, which is totally conflicted to the social gender convention. Macbeth is so indecisive in decision-making that he vacillates between murdering the King Duncan or not, and eventually he still cannot make his own mind. Instead, Lady Macbeth is aggressive as well as consistent, and she helps her husband make decisions, and also comes up with a plot instantly. She only concentrates on personal benefits so that everything else can be sacrificed.
the laws of man cry out against it. the voice of God cries out against it- and so do I.”(284) This humorous approach of satire to pointing out society's general misconception of females is again present when Howe discusses a woman's viable options to get what they want and how to achieve there desires. She goes on to say “Women, we don't need vote in order to get our own way”(288), but rather cry ,“crying always brings them around. get what you want.”288) “Make a scene.”(288) “That is so much more dignified and refined than walking up to a ballot and dropping in a piece of paper.”(288)
During a time of patriarchal society entrenched in the catholic faith, the main ‘genteel’ occupation for an unmarried middle-class woman available was that of a governess. Mary Poovey explains that as a ‘teacher and example for children…the governess…was expected to…police the emergence of undue assertiveness in her charges … she was not expected to display wilfulness or desires herself’ (p196, extract in Regan, 2001). Poovey also allies governesses with other female roles such as the ‘lunatic’ driven mad by denial and restraint. The ‘fallen woman’ is also referred to, as in many cases, due to the insecurity and competitiveness of the governess’s position; women were ‘driven to the streets’ (p198). This also identifies the sexual restraint women endured and may also allude to the ‘mistress’ role.