Xie Jin Essay

3575 Words15 Pages
Define Chinese ‘socialist melodrama’. Explain why Xie Jin causes so much controversy, and give your own comment on Xie’s film(s). China’s film industry has been through a number of stages directly linked to the nation-state of China. Cinema made under the Chinese Communist Party (CCP) 1949-78 era will be analysed against a backdrop of Cultural Revolution in China. During this period, the CCP had complete monopoly of the film industry and as a result of this direct influence, socialist melodrama was born as a product of the time. Filmmakers gradually recovered from the devastating effects of the Cultural Revolution and the new CCP policy laid the foundations for the rapid growth of Chinese cinema in the following decades. One notable director, whose films span across 40 years of Chinese history, is Xie Jin, who contributed to every development phase of film in the People’s Republic (Marchetti, 1986: 85). Xie was an immensely popular director producing films that appealed to the masses, and he was seen as a controversial character for his continuous intent to marry melodrama and political ideology. Some felt his political melodrama was manipulative and used to enforce a political stance on the masses. First there will be a detailed analysis of Two Stage Sisters, which demonstrates a socialist melodrama. Second this essay will explore how Hibiscus Town, a film that does not fit comfortably in the socialist melodrama genre, denounced the Cultural Revolution and in itself caused the majority of Xie’s controversy. To understand Xie’s films, we must explore the origins and characteristics of socialist melodrama and why it dominated the Chinese film agenda during the Cultural Revolution. In 1959, with Chinese illiteracy rates at 43% (predominantly people in rural areas), cinema was an important media art form to convey political, socialist propaganda and ideological
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