There were also two guest alumni saxophonists by the name of Brett Darby and Ruby Espinosa. Seven songs were performed in this section. First was, “Ceora” written by Lee Morgan. The second song was “Confirmation”, written by Charlie Parker. The third song was “My One and Only Love”, written by Wood and Mellin.
If you listen to it you might say A(8) but if you listen to the music Carefully, the music is slightly different which makes it same part to be A(16). And then the second chorus starts with slightly changing the note with trumpet. Second chrorus has same beat form which A(16) A(16) A(16). Then the third chorus starts. Dizzy Gillespie started adding the solos to the music.
Owen also did a solo piece with the didjeridu. The third piece lasted about eight minutes. The side didj is the modern version of the traditional didjeridu. Unlike its traditional piece, the side didj has adjustable tones with the rotating of various of part of the didj. The forth piece, called the gayman also starts out slow, with building of momentum.
Thus these sessions resulted in some of the most important masterpieces of early jazz, of which West End Blues is arguably the best known. Other important recordings include Basin Street Blues, Tight Like This, Saint James Infirmary, and Weather Bird. In the last named, only Armstrong and Hines are present, turning an old rag number into a tour-de-force of inspired musical runs as the trumpet and piano playfully come together, draw apart to compete, and come together again, over several
During the next few years he made recordings fronting his own musicians; depending on the number assembled, they were known as the Hot Five or the Hot Seven. Around the same time, Armstrong is credited with the invention of the jazz technique of scat singing--legend has it that Armstrong dropped his sheet music during a recording session and had to substitute vocal improvisations until someone picked up the sheets for him. Also during this period, his experimentations led him to break free of the more rigid Dixieland style of jazz to pave the way for a more modern jazz
This song combines traditional pop music with that of hip-hop, a style that became popular in the eighties in the African American community and is characterized by poetry performed in time to a distinct beat. It was revolutionary and controversial at first, but has become quite mainstream. RHYTHM The rhythm of Beethoven’s 5th is unmistakable and is so important to the piece that it defines it and makes it recognizable. It is exemplified by the first 4 beats, short-short-short-long, and those beats permeate the entire piece. It is written in 2/4 time which translates to 2 quarter notes for each measure.
Electric counterpoint 3rd movement (fast) essay electric counterpoint was written by Steve Reich in the 19th century. It was written for Pat Methany who was a jazz guitarist. It was first performed in 1987 and is one of 3 movements which follow a fast-slow-fast pattern. Another minimalist composer is Philip Glass who wrote Façades and company in 1994. Electric counterpoint is written for 7 pre recorded guitars and 2 bass guitars with a solo guitarist playing over the recordings.
In the harmony we have a minor triad on the 6th and 5th degree, also a harmonic device used a lot in gospel music. On the 9th bar Miles plays the major seventh, Cannonball the 4th,Coltrane doubles Miles an octave lower and the rhythm section plays a dominant chord on the 5th. This voicing is then three times transposed and they end up playing on the eleventh bar the same voicing with the flat six on top, which means the rhythm section is playing a dominant chord on the flat seventh, which then resolves back to one after two bars and which is a substitution of a very gospel like chord change, 4 minor to
Practice Final Exam for RDG 028 Name: Louis Armstrong (1901-1971) If the most influential musician in the entire span of jazz had to be chosen, the choice might be Louis Armstrong. “His heritage permeates all of jazz to this day . . . all that we may hear today has been touched by his genius.” The myth has always been that Daniel Louis Armstrong was born on July 4, 1900.
This Piano Sonata is one of the most universally acknowledged pieces of Mozart, who produced 17 piano sonatas and millions of other masterpieces. No matter the form, the dynamic, the tonality change as well as other musical techniques are all noteworthy. First of all, the form of this piece is Sonata Rondo because the themes repeat throughout the entire piece. Following the score, the A section begins with a “short -short- short- short- long” motive in an “a minor” key. After a repetition, the tonality changes to “C major”, but it is still in A section, which refers to theme one.