Katie Stephens English 1102 Dr. Strickland 9:30 TR Symbolism, Irony, and Theme in “The Yellow Wallpaper” Charlotte Perkins Gilman's short story “The Yellow Wallpaper” tells the story of a husband's attempt to do away with his wife's insanity by keeping her isolated and restrained from expressing herself through writing. Gilman includes an abundance of irony and symbolism to describe the thoughts and actions of the narrator. The author uses these elements to help the reader come to the conclusion that the narrator feels oppressed and controlled along with other women who were felt to be “confined to womanly roles” in society in the 1800s. The theme of the story suggests that women during this time were imprisoned by the male dominated society. There are many uses of irony in “The Yellow Wallpaper.”.
These narrations are looking for a faithful way to uncertainty in these stories. Charlotte Perkins Gilman story, “The Yellow Wallpaper” is narrated by a woman who is mentally unstable. The story evolves as the narrator slips into madness. Her husband a physician is concerned about his wives insanity and well-being he forbids her from using her imagination and writing. This only worsens her condition causing her to become obsessed with the yellow wallpaper in her room.
The Yellow Wallpaper is a short story written in 1892 by Charlotte Perkins Gilman. The main character of this story is confined in a room surrounded by yellow wallpaper. She is restricted of enjoyment for the things she strives for in life. Her husband dictates what occurs in her life, all decisions are made for her. The main character suffers from depression.
Module A: Comparison of Texts Individuals challenge the values that permeate time, in a manner that is relevant to their society. This rebellion is evident in William Shakespeare’s play The Taming of the Shrew and Gil Junger’s film 10 Things I Hate About You whereby Katherina and Kat initially disregard the social expectations for women of their context. The composers portray this comparably, using textual integrity so the women’s misunderstood, shrew-like behavior is suited to their culture and society. This in turn, provokes both characters to experience a transformation of self and their values. In The Taming of The Shrew, Katherina challenges the values and themes of courtship and marriage, dismissing the female etiquette when meeting her suitor.
The unnamed narrator of the story is advised to abstain from any and all physical activity and intellectual stimulation. May it be reading, writing, or even to seeing her new baby. To ensure the narrator receives the full effect of this form of treatment, the woman’s husband takes her to a country house where she is kept in a former nursery decorated with yellow wallpaper. Over time she becomes obsessed with the wallpaper in every aspect whether it be the look or even smell of it. She eventually becomes so absorbed by the wallpaper that she sees a woman trapped inside of it and then tries to free her by peeling off the wallpaper.
The room she stays in has yellow wallpaper that will later contribute to her psychological downfall along with the oppression felt from her environment. In both pieces of literature, the authors use a technique of gradually progressing the characters deterioration of their mental capacity. Through dramatic irony and other literary devices, the reader is permitted to see the depth of the characters illness. The narrator in “The Yellow Wallpaper”, stays in a bedroom that was an old nursery which has an unattractive yellow wallpaper on the walls. To the narrator, the wallpaper is a nuisance and the pattern makes no sense to her.
So we see our main character and we feel her pain, we know she is suffering because she can feel within herself that something is not right. She makes countless attempts to tell her husband this, and he continuously shrugs her away, constantly reassuring her that it is a “temporary nervous depression- a slightly hysterical tendency”(Gilman 987).The use of the word hysterical here is literally referring to her disorder, but figuratively he is essentially saying that she is hysterical regardless of ill health or otherwise; simply because she is a
A Dollhouse and “The Yellow Wallpaper” A Doll House play and “The Yellow Wallpaper” story have some similarities. Both the story and the play discuss how the wife is struggling with the way she lives with her husband and how at the end she ends her struggling. Also, both the story and the play describe the way the husband talks with his wife; both of the husbands do not use the wife’s name. Instead of the husband calling his wife’s name, he calls her “a blessed little goose” (“The Yellow Wallpaper” par. 53) and Torvald calls her “little lark” (A Dollhouse, act1, speech 4) and “my squirrel” (A Dollhouse, act1, speech 8).
The Significance of Voice in Gilman’s The Yellow Wallpaper In Charlotte Perkins Gilman’s short story, The Yellow Wallpaper, the narrator’s dynamic voice exemplifies the her struggle with insanity as she becomes infatuated with the wallpaper in the attic room where she holds herself prisoner. With instruction of her physician and approval from her husband, the narrator is to only rest while staying in the summerhouse recovering from “temporary nervous depression” (Gilman 2). As the story plays out, the narrator begins to lose touch with reality and we witness her collapse from beginning to end through her own storytelling. From the start, the narrator confesses to not liking the attic room where she is staying at all and immediately explains that the “windows are barred”, “there are rings and things in the walls”, and that the wallpaper is “stripped off in great patches all around the head of my bead” (Gilman 4). At this point, the narrator appears normal and healthy, as anyone would be aware and curious of his or her surroundings in a new environment.
“The Yellow Wallpaper” Essay “The Yellow Wallpaper” written by Charlotte Perkins Gilman depicts the effect of confinement on the narrator's mental health and her mental breakdown. She becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! Even though she hates the wallpaper, the narrator is also strangely fascinated by it. The mental restraints placed upon the narrator, even more so than the physical ones, are what ultimately drive her insane.