and other pieces in his oeuvre, it becomes clear that Duchamp’s intention was not simply to destroy art, but to expand our conceptions of it, challenge it, and in doing so enrich it, and even underscore the artists and artistic traditions that preceded him. Within the context of an interpretation of Duchamp and his work within the field of Cultural Studies it becomes necessary to understand how Duchamp fit within the distinction between “culture as perfect” and “culture as ordinary”; he was present turning the turning point between the eras of those two definitions, and we may consider his work as it relates to both possible conceptions, and whether it had a role in challenging them. To begin with this context we must consider Leonardo da Vinci’s Renaissance masterpiece painting, the Mona Lisa. The Mona Lisa is certainly the most famous portrait in the world and one of the most recognizable images in the world of any sort, highly important in the history of art and western culture in general,
The Inventor & The Discoverer As we know, artists are influenced by their surroundings, their experiences, the way they interpret the world around us. They depict what they are passionate about – whether it be politics, people, animals or whatever. Henry Cartier-Bresson and Diane Arbus, demonstrate different purposes and ideas though with similar artistic traits. For Cartier-Bresson it was capturing the world’s historic events as they happened, to Dianna Arbus it was exploring a thematic interest in unorthodoxy. “There are two main areas of creativity in the fields I have chosen.
Art today is driven by many things, but perhaps the most common force is one's need to be original. Artists' today believes that they must develop their own style, and if that style is taken, they must find one, invent one, fabricate one, for he can be nothing if he cannot be original. Is that truly an acceptable ideal? How do you separate innovative ideas from those that are derived from being inspired by others? R. G. Collingwood, once called ‘one of the twentieth century's best-known "neglected" thinkers’ portrayed art as a "necessary function of the human mind, and considered it collaborative, i.e., a collective and social activity."
Every artist has a developed and distinct process of art-making that is unique to the artist, and often enables him or her to be recognised as members of certain respective art movements. An art movement is a trend or style in the art world with a specific common philosophy or goal, followed by a group of artists during a restricted period of time. Particular aspects of practice that can distinguish which movement an artist favors may include the development of ideas, concepts and intentions as well as the consideration of visual qualities, techniques and methods. Also important to consider is the development of personal signs and symbols and a recognisable artistic style. Distinctive characteristics of practice allow artists like Marcel Duchamp, Salvador Dali and Janet Laurence to affiliate with an art movement that suits their own intentions, and style of art.
The way that groups interact are important and create these constantly changing human patterns. Culture consists of a system of learned meanings that are universal and determined by insiders.” These systems of meaning generally include the shared religious beliefs, morals, values, ideologies, rituals, and language practiced by a group of people. The people of the Aztec Empire and Spanish Conquistadors that clashed in the early 16th century represented two separate cultures. The differences between the various facets of these two cultures determined the fate of the conflict that destroyed an empire. Culture influenced the thoughts, decisions and behaviors that allowed for a much smaller, limited force of Spanish conquistadors to flawlessly perform the role of conqueror.
In the post-medieval era, paintings developed perspective, which emphasized the individual. The appearances of diaries, collections, scientific research, and other such components of the "technology of the self" (13) illustrates the immortalization of the self. Fowler's definitions of "person" are constantly shifting, stating that "definitions will be revised, embellished and replaced throughout this book as relationships between personhood and context become more apparent, and spring from my interpretation of the debate over personhood" (9). Even though we are individuals in societies, we must build relationships with other so we may not "lose [ourselves] in experiences and activities"
In creating a majestic artwork, it is often the artist who imposes certain molding so that the craft will appear according to the message the artist wants to convey. He performs every stroke and every pinch considering the objects future form and the thoughts that will soon linger amongst the gazers. However, sculptress, Julie Lluch took her dedication to artistry to a very personal level. She permitted the medium to have its way of expressing its views about the world. Thus, Thinking Nude encompassed the qualities of a truly individualistic opus.
Explain how your chosen mentor artist’s conceptual and material practise links to your body of workExplain how your chosen mentor artist’s conceptual and material practise links to your body of work My chosen mentor artists Edvard Munch and Kathe Kollwitzboth have a strong impact on my conceptual and material practice. Munch’s conceptual intention of finding purpose in life by creating artworks that explore life and death, loss, sickness and pain has made a big impact on my Body of Work. His material practise contains distortion of space would be a great way to present my ideas and also his use of aggressive brush techniques interest me and have become an essential part of my body of work idea. His most famous artwork and the one that has influenced me the most was The Scream, 1893 and I have also adopted ideas from his painting Vampire, 1893-1894. Similarly, Kollwitz’s theme of adversity and its effects on people have also inspired me.
Acceptance of Tattoos In Today’s Society As far back as recorded human civilization goes, man has looked for means by which to differentiate himself from others of his kind and by this, create a unique identity for himself. Various means have been used to accomplish this most notably of which is tattooing. Tattoos offer to assist man in his ambition to achieve self-identity and expression by providing him with the means through which he can demonstrate his uniqueness and difference from the others. They also give a person a platform on which he/she can show his affiliations to a certain group. In recent times, tattooing as an art form has experienced monumental changes from the earlier years where it was the exclusive premise of sailors and prisoners to being widely acceptable and even fashionable to the general population today (Ricci 1).
Art Essay! “Artworks represent a visual language through signs and symbols that can read.” The definition of the keywords in the sentence above are; an artwork is a personal expression of social comments, aesthetic objects, and functional objects, the creative products and ideas are given a physical form using materials. Visual language is a system of communication through visual elements. Signs are anything which directs the viewers interpretation of an artwork, and symbols are defined as mostly used to represent the artist feelings of something. Lastly the word read is to look at and comprehend the meaning of something.