The Trial Of Dedan Kimathi Analysis

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The Trial of Dedan Kimathi, written by Ngugi Wa Thiong'o in collaboration with Mugo, is a play that depicts the trials of a freedom fighter by the name of Dedan Kimathi, the leader of the Mau Mau uprising in Kenya during colonial rule. Kimathi was born on the 31st of October, 1920. He fought against British colonization in Kenya in the 1950's. He was convicted and executed by the British Colonial Government for terrorism. The play explores the psyche of Kimathi, and his ‘comrades’ including a character called ‘Woman’, a boy and a girl. The writer also puts on display the ideologies of the white settler and that of the various colonized societies. As is typical of Ngugi, he writes technically and aesthetically with each text displaying multiple perspectives and a fragmentation of the narrative by not placing the events in chronological order. Ngugi's resolve to write in his native tongue, Gikuyu has often invited criticism, as the critics suggest that writing in his native tongue and not in a more universal language, which is in this case English, will narrow down his audience. Chinua Achebe, for example, chose to wrote ‘Things Fall…show more content…
The play is written in simple language loaded with Marxist terms with the prominence of local imagery, expressions and song which give a sense of belonging to the text. This is depicted through the use of music, songs, dance, action and mime. In one scene, for example, a traditional Swahili folk song and mime act is performed, telling the audience of the times when Kenya was free and how, slowly, the white settler introduced the concept of slavery and put the natives through hell. The white settler is shown buying slaves from a trader, the slaves rowing a boat, and eventually working tirelessly in factories. Through this song, Ngugi reiterates his position. The song is a call for unity, a call for a collective rejection of the oppression by the
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