The Symbology In Stanley Kubrick's The Shining

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The Shining is a psychological horror film featuring Jack Nicholson, Shelley Duvall and Danny Llyod, and directed by Stanley Kubrick. It was released in 1980 to mixed reviews but later analysis has established it as a classic of the horror genre. It was based on a Stephen King novel of the same name. The film is regarded as Stanley Kubrick’s most misunderstood masterpiece. The reason for this is the variety of different symbols and allusions layered in The Shining. In essence the film depicts Jack Nicholson’s character taking a job as a temporary caretaker in a hotel with his wife and young son. Jack slowly falls into madness after a snowstorm traps his family in the hotel and he tries to murder them. The film contains many scenes containing mirrors, ghosts and other horror staples. These symbols provide a deeper narrative in conjuntion with the obvious plot. One of the more evident examples is the various references to Native Americans. The hotel itself is built on a Native American burial site. There are many arguments to suggest that the murders in the Overlook Hotel are only a smokescreen for the real victims of the piece, the Native American race itself. The hotel is decorated with indian motifs throughout. The motifs represent a race that has been silenced and subjected. When Danny rides his bigwheel through the hotel, the sound is muted as he drives over the indian carpets. When the blood spills from the elevator shaft the sound is again absent, showing the Native Indians are ignored. Significantly, when Jack kills Halloran the camera pulls back into a long shot. Halloran, a black man lies dying on an indian carpet while Jack, a white man stands above him grinning. This shows the dominance and violence that the whites subjected the blacks and indians to thoughout American history. Even the name of the hotel, the Overlook is a metaphor. It symbolises

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