The Pope's Toilet (Film Review)

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The Pope's Toilet ("El Bano del Papa") [2009] Film Movement 1 hr. 32 mins. Starring: Cesar Troncosco, Virginia Mendez, Mario Silva, Virginia Ruiz, Nelson Lence Directed by: Cesar Charlone, Enrique Fernandez MPAA Rating: NR Critic's Rating: *** stars (out of 4 stars) Filmmaker Cesar Charlone and first-timer Enrique Fernandez helm a quaint tale of hardship and heartwarming humor in the visually arresting El Bano del Papa (translation: "The Pope's Toilet"). Although not the best imaginative movie title ever to grace a matinee sign, The Pope's Toilet resonates with a distinctive warmth and sense of reality and purpose. This is a noteworthy narrative that shines a poignant spotlight on the allure of Latin American cinema and the urgency of societal struggle that routinely persists within a desperate South American region. Charlone (director of photography for Fernando Meirelle's captivating "City of God") and co-director Fernandez intensively chronicle the trial and tribulations of an impoverished Uruguayan family during the late eighties as they get ready to capitalize financially on the anticipated arrival of the Holy Father to their poor village of Melo. The quieted urgency and unique characterizations gives The Pope's Toilet a bittersweet taste that delves in the contrasting realm of poetic charm and surfacing turmoil. Gently raw and absorbingly effective, the collaboration of moviemakers Charlone and Fernandez is soothingly melodic, disturbing, and infectious in its wittiness about day-to-day survival in the name of religious awakening. The aging Beto (Cesar Troncosco) is at a crossroads in his middle-aged years. In order to provide for his destitute family that includes his wife (Virginia Mendez) and teen daughter (Virginia Ruiz), he has to smuggle contraband across the Brazilian border into his poverty-stricken surroundings in Melo on a rusty
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