Comparison Between 'Of Mice And Men And Walter Salles'

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‘By comparing two texts, we can gain a better understanding of the ideas and themes in both.’ Explore this statement with reference to your prescribed texts remembering to discuss the context of each Through a simultaneous comparison of two different texts, we are able to examine the composers’ concerns of their contextual societies presented through the ideas and themes of the texts. John Steinbeck’s 1937 novella ‘Of Mice and Men’ and Walter Salles’ film ‘The Motorcycle Diaries’ presents various perspectives on the values of humanity. Steinbeck’s ‘Of Mice and Men’, set in the post-great depression era addresses the victims of their own dreams within the Californian Dustbowl. Salles’ on the other hand, utilises an epistolary framework in his…show more content…
Due to the high unemployment rates following the great depression, the working class were vulnerable to the unjust exploitation of power. Curley is portrayed as a character who lacks integrity and an oppressor of the economically autonomous dream of George and Lennie. Through a juxtaposition between power and helplessness, Curley is depicted as inhumane. The simile ‘like a terrier’ contrasts Curley’s docile and aggressive nature with Lennie who, with the animalistic imagery ‘huge paws’ and ‘bleated’ is likened to a passive and weak creature. Through an accumulation of violent images, ‘slashed’, ‘smashed’, ‘terror’ and ‘slugging’, the lack of justice and ethicality through power exploitation is exemplified. Whilst Steinbeck depicts injustice in his contextual society due to the abuse of stature, Salles similarly presents this issue through the Chilean…show more content…
Following the recent Cold War, capitalist America’s controlling nature typically victimised plebeians on the basis of their political perspective. Through the employment of mise-en-scene where the campfire is placed in the middleground of the dark Atacama Desert, Salles creates a salient point which emphasises the disassociation of the Chilean miners from society. Ernesto’s authorial voiceover ‘tragic and haunting faces’ in conjunction with a close-up shot of their dirt-stained faces, the mining couple are presented as politically dispossessed. This draws sympathy from the audience towards the couple as they are victimised and oppressed due to American capitalism. Moreover, when being chosen by the mining company, the unsteady camerawork and constant switching of perspectives highlights the controversial nature of the conversation and presents Ernesto as an authoritative figure fighting the inhumane treatment of the impoverished in South America. By dismissing the notion of Justice within their environments, the composers argue that morality and justice are values necessary to our existence. By comparing two contextually dissimilar texts, John Steinbeck’s 1937 novella ‘Of Mice and Men’ and Walter Salles’ 2004 biopic ‘The Motorcycle Diaries’, we gain a clearer understanding on what is required of humanity. Through Steinbeck’s response to the socio-economic
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