The Cultural Dispossession in Jamaica Kincaid’s "On Seeing England for the First Time" and Sandra Cisneros’ "No Speak English"

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Alexandre César Rodrigues June 21, 2012. The cultural dispossession in Jamaica Kincaid’s On seeing England for the first time and Sandra Cisneros’ No speak English. Cultural dominance, stronger than a mere economical or a political one, is a tie hard to undo. While the latter ones are the result of an agreement of those in the power – and, thus, can be ended with a shake of hands –, the former is way more complex, and involves, sometimes, the lives and thoughts of a whole nation – since once a culture is imposed to another one, it starts creating roots so deep that, with the time, can even take place of the older one. For those who are forced to learn this other’s culture, and take it as its own, it works the same as a slavery of mind, an imprisonment within a stranger’s head, as if your own thoughts were not right anymore. In some cases, the imposition of the domineering culture is so strong that can result in an erasure of any cultural identity of a society, being left only the new adopted parameters. Such impressions are what can be found in the works of Jamaica Kincaid’s On seeing England for the first time and Sandra Cisneros’ No speak English. The aim of this paper is to point out how these features are presented in each author’s text, and to help understand these works as a direct reaction to this process of cultural dominance. For that, it is necessary, first, to know the origins of each author – from where they are, and where they live –, to, from that, understand to what exactly they were reacting for, along with their personal history, which are very present in the stories. At last, a brief summary of each story will be provided, to then, finally, the analysis itself occur. Jamaica Kincaid, originally Elaine Cynthia Potter Richardson, is a Caribbean writer. Born on the island of Antigua, in 1949 in St. John’s, she maintained a close relationship
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