Stopping By Woods On A Snowy Evening Robert Frost

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The title of the poem provides us with the setting of the scene at hand. Again, like in The Road Not Taken, we are presented with a speaker who is on a journey somewhere, this time with a practical destination in mind. However, despite the freezing cold weather outside, the speaker gives in to the temptation to stop and admire the beauty and peace of the winter scene surrounding him. As he stands and contemplates the snowy woods, he is able to withdraw from daily life. We are immediately made aware of the speaker’s conflict between his deep attraction to nature and his call of duty by the invasion of practical thoughts voiced through the horse*. The speaker is far from having completed his journey and it is with great reluctance that he goes on. The speaker is able to quietly steal a few moments of solitude without being accused by anyone. Yet he feels guilty for stopping. This is conveyed by his feelings of TRESSPASSING and by the horse’s thoughts which are a projection of his own guilt-stricken conscience*. Note that there is clear separation between civilization and nature – the owner of the woods lives in the village. For a brief moment in his life, the speaker gives in to his deepest desires. What does the speaker truly desire? The final stanza of the poem holds the answer. It is sleep the speaker wants, but not the kind of temporary rest he can find in a farmhouse. It is the eternal sleep of the woods that he is tempted by. The speaker would like to stay in the snowy woods and sleep. Sleep under such conditions can only be PERMANENT SLEEP = DEATH. The idea of death is seen through a combination of several images in the poem. 1. THE SNOW – the snow is white. White is associated with purity and death. The falling of the snow creates a soft white cover over everything. 2. THE WOODS – the woods are covered by a blanket

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