1. Candide or Optimism Dude a. An interesting point that this article states shows how one word can change the meaning of a line. Another interesting point made in this article is that his nineteenth-century translation was the best way to capture Voltaire’s eighteenth-century work, in order for it to be relatable to modern readers. This article also brought up an interesting question stating “Do translators imbue their work with temporal signifiers, those that don't stand out as readily as "dude"?” This question brings about the question of whether the responsibility of interpreting these terms should be put on the reader or the translator.
An auditory person may try to get into harmony with the situation and listen for any hints to the solution. Something might tell you that you were playing the right tune. In auditory mode LEM is usually around the horizontal midline, looking to the right imagining or rehearsing a sound, to the left remembering a sound. When we speak normally, we might use visual, auditory and kinaesthetic words, but in some states, when we are thinking in a certain way, we will use words that represent the Modality we are using for
Jacques de Liege objected to the Ars Nova and defended the “ancient art”. He believed that the people appreciated and enjoyed the ancient motets and the ancient manner more than the new. Many arguments were made against the “new art” Ars Nova. Motets were the initial musical works by Philip de Vitry to represent the Ars Nova. The motets sung in Latin used isorhythm creating equal rhythm throughout.
He also devised a second horn part to harmonise the first using the notes of a D major arpeggio. In some cases the second horn parts were doubled by various instruments to fill in neccesary notes that could not be played, such as the leading note C#. The trumpets and horns play off each other through Suite No.2, especially in movements 1 and 2, where the trumpet parts were an octave higher than the horns which exploited their contrasts of register and timbre. Trumpets in the baroque period had similiar problems to the horns as they did not have valves and were commonly written in either D or C. Therefore Handel
In 1975, Queen put out a six minute single called “Bohemian Rhapsody”. This song is known for its unpredictability, with lots of tempo changes, key changes and unique phrasing. Bohemian Rhapsody has no chorus, and each section seems to have little in common, as a result of being in different tempos and keys. The instrumentation in the song includes vocals, piano, guitar, bass, and drums. In this song queen used a combination of piano ballad, Italian opera, and hard rock, as well as multi vocal tracking in which they used to record up to 80 voices in a single bar.
The language used in rubbish at adultery is very formal. Although at the end of the poem, the poet puts ‘you’re just as crap at it’ and ‘you stupid, stupid git’. Throughout the poem the language is very formal, for example, words like: Diatribes, ought, and fidelity are used. Although an intellectual person would be able to understand these words, and this poem, without any trouble, others who aren’t so vocally diverse would struggle to interpret this poem in the same way. Whereas in our love now, the language used is very colloquial and also quite formal.
From the beginning of the piece, as the trumpeter makes his entrance, he plays long, drawn-out notes and employs minimal use of vibrato. Gaffney elegantly elongates his phrasing in order to create a soothing atmosphere as the music avoids overt flashiness and distraction, instead relying on its simplicity and steadiness to allow the listener to sink into deep contemplation. Powerful, but not overbearing, the piano accompaniment plays with a multitude of thick chords, providing rich harmonies for the melodic line. According to Bonds, the music’s character may change dramatically as a result of these harmonies (7). Demonstrating this, the piece manages to achieve a thick texture despite only utilizing two instruments due to the combination of the piano’s heavy chords and the trumpet’s warmness and consistency of sound.
According to Vonnegut , you should fine the subject that you care about In which you in your heart feel other should be care about. This is natural caring which will be the most interesting and teased element; don’t ramble, we may not discuss too widespread because it will make a paragraph out of focus; keep it simple, use simple language in order to the reader easy to understand what you mean; have guts to cut, If a sentence no matter how excellent, don’t afraid to scratch the sentence out if it doesn’t support the subject that you talk about; sound like yourself, no matter what your first language you should treasure it all your life; say what you mean to say, select the most effective words ,and relating words to one another unambiguously; pity the reader , they have to be able to identify thousand of little mark paper and make sense of them immediately; In addition , there are several elements are considered in order to make style in writing , they are :
Not only has Tan confused the word "tang" with its Chinese homophone--which does not mean "sugar"--but she has ascribed a metaphorical use, meaning a friend as close as a sister, to a term which only refers to a blood relative in the Chinese kinship system (180-82). Wong acknowledges that "errors of the 'sugar sister' type [linguistic inaccuracies] . . . actually only constitute a small percentage of Tan's handling of Chinese matters" (188), but asserts that the cumulative effect of these errors is a
Besides getting mad there is nothing that can be done, so you try to blend in and do as the Romans do. “I whistle melodies from Beethoven and Vivaldi and the more popular composers”. (q) 212Staples The character then started to do things to make him self seem more friendly. He thought that people wouldn’t be so timid if he was whistling a familiar