Richard 111 and Looking for Richard

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Some thoughts – Looking for Richard * It is clear from the beginning of Looking for Richard, that Pacino is well aware of the necessity to appeal to a contemporary audience. In the opening scene, he is filmed the basketball court, cap turned back-to-front - like the modern-day-gangster that he and Spacey (Kevin Spacey) refer to Richard and his “henchmen” as – shooting hoops. * If his intentions were not already transparent – that is, the desire to connect a modern-day audience to the genius and relevance of Shakespeare through Richard 111, it becomes even more evident when Pacino states, “It has always been a dream of mine to communicate how I feel about Shakespeare to others.” * Pacino’s quest is to connect Shakespeare’s universal themes – themes that transcend (rise above) time and place – and his powerful language, with the everyday public. This is one of the reasons why so much of the docudrama is filmed “on the street” of New York (we are being reminded that this is a current production, an accessible vehicle in which to find a new translation of an old classic), and also why Pacino ventures out to discover how people regard Shakespeare, and why an enigmatic character like Richard 111 could still be so fascinating to a contemporary audience (Richard 111 is the most performed Shakespearian play). * For Pacino alone, aligning himself to Shakespeare gives him credibility; as an actor and a thinker. He himself states that British actors “own” Shakespeare, not simply because Shakespeare was English and therefore a British cultural icon, but because the world of the theatre seems to be a quintessentially British pursuit. They have the right accent, after all. He does, to some extent, set out to disprove this theory, or at least appear to do an exemplary job himself in the role of a Shakespearian character. * Several scenes contribute to an
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