Oedipus Wrecks Essay

568 Words3 Pages
Sheldon feels great- wonderful , in fact, he tells his shrink, that his mother has vanished into thin air. Sheldon, the protaginist of the film "Oedipus Wrecks" is constantly berated by his domineering mother (despite his own success as a law executive and bieng 50 something years old), that is until she dissapears completely as a result of a magician's two bit parlor trick. "Oedipus Wrecks" is a thinly guised parody of Sophocoles's famouse Thebian play "Oedipus Rex"; the former uses it's own array of parlor tricks and loose translations to portray a modern alternative - New York replaces Thebes , where the rather "un" Oedipus Sheldon frets and bemoans his existance under the constant demands and trials of his mother. Even under moderate attention can the viewer grasp the underlying parrelles between "Rex" and "Wrecks"; those that primarily involve Sheldon's unlikely infatuation with his mother and his insistance of escaping his origins (i.e changes his Jewish birth name to something more discreet and non-Jewish). The film takes sometimes passive but obviouse stabs at these ideas; in "Rex", Oedipus escaped his origins to avoid prophetic doom and quite literally becomes sexually obsessed with his mother (unbenknownst at the time)- while the comparisons are valid, they differentiate in romantic obsession. While "Rex" is far more literal, "Wrecks" harbors on simular situations dealt under a modern man who has well evolved past the revelations of the likes of Locke and Hobbes. Unlike the clairevoyant beliefs of Ancient Greece, man is not morale and just but a debacle and generally evil. These lawsare represented by the actors ill intensions towards eachother and the schematics incorporated in theier involvment. Sheldon and co. are poster children for Hobbe's "anti morality" campaign: fraudulent "soothsayers" for self profit, an indifferent and hostile at times
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