Blithe Spirit Critique

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Mackenzie Kahl DRAM 105 March 2013 Play Critique #2 On Saturday March 8, 2013 I attended the Young Theatre of CSU Fullerton’s production of “Blithe Spirit,” originally written by Noel Coward. The intended audience could be any adult but probably relates more to middle aged adults and married couples. It was an unexpected amusing comedy with a little bit of darkness intertwined. The audience collectively seemed intrigued in the story line and entertained by the actors. The main action of “Blithe Spirit” revolves around a man who is being haunted by his first wife’s ghost that is extremely bothersome to his current wife who ends up joining the first wife as a ghost and together they taunt and torment the man. The plot tells the story of a popular novelist, Charles Condomine, who wants to learn more about homicidal medium and invites a woman to hold a séance at his house. This woman somehow summons Charles’ deceased first wife who taunts him and causes marital quarrels between him and his current wife. It explores the chaos and disturbance when paranormal tampers with the living. The cast is comprised of only seven characters. First there is Charles and his current wife Ruth. His deceased first wife is named Elvira; the psychic who causes it all is Madame Arcati, and a sophisticated couple, the Bradman’s, who are guests at the séance. There is also Edith who serves only as a comic convenience, but is the unseen maid in the house of Charles and Ruth. The main conflict in “Blithe Spirit” is a conflict of love; the ghost of Elvira haunting the couple causes tension between them that brings up deeper problems of the couple. The climax occurs when Madam Arcati tries to get rid of Elvira, after Ruth has died, and instead brings Ruth’s ghost into the house as well. The entire play took place in the house of Charles and Ruth; the design elements were relevant
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