Ming Cho Lee

1098 Words5 Pages
Today there are many different scene designers, but to me Ming Cho Lee was one of the most important and interesting. Lee was born in China, and said to be one of the most influential American scene designers during the last four decades of the 20th century. In Lee’s early life, his mother provided him with the opportunity to study ink drawing and landscape painting with the watercolorist Change Kwo-Nyen. Lee like his father, was a member of Yale's class of 1919, and his uncle was a graduate in 1918. This young designer grew up in an environment where English was the predominant language. Ming Cho Lee studied art at Occidental College in UCLA, and later on went to New York to become an assistant for Jo Mielziner. Ming Cho Lee became America’s foremost scenic designer, and most of his work has been in regional theatres and opera. Lee designed many productions for the Public Theatre and bold, he used structural sets for the Delacorte Theatre in Central Park. Lee rarely did musicals, only a couple of his sets have been seen on Broadway, although he was greatly appreciated and applauded for his startling recreation of a mountain for K2 in 1983. Ming Cho Lee has developed a style that was to influence many other designers, for example, Lee brought a "new minimalism" to the American stage design, that he had characterized by austerity in color; the use of scaffolds, pipes, railings, and suggestive "set pieces" that localized each particular scene without being "realistic"; and abstract sculptural forms that create "environments" on stage rather than backgrounds. Much of his early design work was thought to be in reaction to the more aesthetically luxuriant designs of his mentor, Mielziner, but it may also have been influenced by practical needs of the companies he was working for, which may have prompted him to find innovative ways to create the proper scenic

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