She’s just self-obsessed, and unable to judge herself and her position honestly. It seems at every chance she gets, Curley’s wife likes to talk about her lost opportunities. She speaks of a traveling actor who told her she could join their show, without gathering that this is a pretty standard pick-up line. Same with the offer to go to Hollywood: Curley’s wife has convinced herself that her mother stole the letter, rather than realize the men weren’t really interested in her for any actual talent. Curley’s wife’s obsession with herself ultimately leads to her death.
Charleena decides to step in and help her with the reading and soon they have a very nice bond with each other. So one day when she is very sick Mr. Stan her assistant calls her and Miss. Charleena does not want to talk to him at all and take any offers he has for her, but after a few day Foster tries to persuade her into going back into her Hollywood life and trying her best in what she does and so one day she calls him back and says she is ready to do the job and soon she gets back up and rises in her career because of the positive support Foster gave her and Foster learned how to
For them, it's only an act of rebelling against Party. Winston is only attracted to Julia because she is a rebel. Julia is a rebel against the party who is trying to find more party members who feel the same way. Even though she is an attractive, young woman, her rebellious mind is her most attractive quality. Winston is most attracted to her that she hates the Party as
First, she is a naive girl, who is basically taken advantage of by an older man. Then her family is turned against her, because of her alleged actions. Since her family doesn't understand the relationship that she and Pete share they accuse her of things that she did not do. The friction between her and her family forces her out, but with nowhere to go she must fend for herself anyway necessary on the streets. The situation that Maggie ends up in is not her fault, but the faults of the actions, or inactions of the people around her.
Den, Barbara’s awkward and shy ex-lover, reappears in her life and provides a route to wealth for Barbara (in her own eyes). Her dogged determination and persistence to better herself sees Den as a way of paying for a deportment diploma to assist her with gaining employment at the swanky new hotel being built in town. Due to the negative circumstances her character is placed in, it has resulted in her deserting her mentally challenged daughter, Verge. Economic rationalism seemed to have only negative implications on Barbara’s life as she constantly struggles with relationships and self worth. Whilst focusing on the central metaphor – ‘diving for pearls’ it is made clear that for Barbara, pearls are not represented through spiritual wealth, rather economic wealth.
Although Edna has taken control of her own life, she is still not happy with her life because of the many different types of love she has experienced. Alcee loves her but she only uses him as an affair while her husband is doing business. Robert truly loves her, and she felt the same way about him, but he can’t have her, because her husband already owns her. Edna doesn’t want to be owned by anyone, but no matter how many times she rebels and takes control of things, men still think of her as a possession. Edna ends her life in search for herself, and her
They form a very close relationship, and it grows into a passionate affair. Edna fights and struggles against society for independence and is overwhelmed with confusion, but she is finally able to break free from the role she was cast for through her successes. Like an audition, Edna does not make the cut for the role of a motherly woman. She loves her children dearly, but she does not express it like most mothers do. Madame Ratignolle and Edna have very different feelings and perspectives on motherhood.
We see her obsession with money and the social status it brings when she cries on her wedding day after hearing her husband (George Wilson) borrowed his wedding suit; implying that he is poor. Myrtle tries to escape her mundane life at the car garage in the Valley of Ashes by having an affair with Tom Buchanan. He is a source of hope for her to have the life she has always dreamt of- one with wealth, glamour, status and comfort. We see how Myrtle shamelessly, infront of her husband, wets her lips and leans in towards Tom when he and Nick come to Mr Wilson’s garage. At her New York apartment with Tom, Myrtle lavishes herself by buying luxury and unnecessary gifts- such as her dog, a common accessory to a wealthy woman’s outfit.
Stella is willing to look past everything Stanley does because she loves him and that makes her the fool of the play. After finding out Stanley raped her sister she still chooses Stanley though she asks herself “what have I done to my sister?” Stella is so stuck on her life as it is that she’s not willing to accept that Stanley is not the man she once deceived herself he was and that internal conflict is what makes her a huge
She wanders from building to building claiming that she’s looking for Curley, when she actually just wants to have a conversation with anyone. The other men steer clear, out of fear that they may get fired by Curley’s dad, the boss, if his son happens to get jealous. Throughout the novel, the woman is dehumanized by the author, and is not even given a name. Although Steinbeck portrays Curley’s wife as a wandering harlot, her shattered dream of being a famous actress makes Curley’s wife seem utterly human, rather than the vile temptress the worker men make her out to be. “’She got the eye goin’ all the time on everybody… I don’t know what the hell she wants’” (51).