Hills Like White Elephants

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The Decision to Grow Up In Hemingway’s short story “Hills Like White Elephants,” we are shown how fragile a relationship between two lovers is once reality sets in. Hemingway puts us at a “train station between two sets of tracks in the sun.” The sun seems to represent reality and the bright light of day that we are all faced with at some point in our lives. The man chooses to sit in the warm shadow of the building, perhaps to block out the light of the reality that he and Jig are facing, the choice of how to handle this unwanted pregnancy. At this train station there is a bar and when alcohol is mixed with the shadows the man is able to find comfort from the sun and the ever-present choice that he must deal with in the event that Jig chooses to keep the baby. Jig is referred to as a girl, but she is in fact a young woman faced with the problem many young women find themselves faced with. She is pregnant and in a relationship with a man who is superficial and not interested in pursuing a deep and meaningful life together with her. Hemingway used the hills to represent the ups and downs of life. Just when we get to the top of one, we realize that we have to climb another. I think that Jig saw her pregnancy and the challenges that it would bring as wonderful. She say’s “they’re lovely hills.” When Jig says, “they look like white elephants” she is remarking on how rare and beautiful a child is, just as a white elephant would be a rare and beautiful site in nature. The American says “I’ve never seen one” and Jig pointedly remarks that he wouldn’t have. This tells me that she feels the beauty of unborn life as only a mother to be can and that she realizes that he has no way of knowing how she feels. The unrelenting heat represents the steaminess of the sexual relationship between Jig and the American. Jig can feel the heat from their love affair, but is

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