“Gothic Literature Is Concerned with the Breaking of Social and Moral Codes” – to What Extent Do You Agree with This Criticism of Gothic Writing?

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“Gothic literature is concerned with the breaking of social and moral codes” – to what extent do you agree with this criticism of gothic writing? Gothic literature often encompasses a large amount of taboos and transgressions that continue to populate the genre today, in which the breaking of social and moral codes is still a popular element that is continually explored. However, critiques often focus upon the driving force behind this exploration within the genre and its effectiveness where moral and social codes remain largely culturally relative and the line between normal and abnormal is unclear. This ambiguity continues to puzzle both readers and critics alike in a fashion that only breeds curiosity and fascination within society of what social and moral codes are available to be broken, particularly within literature. In many ways, the character of Heathcliff within Wuthering Heights may be seen as a complete antithesis to the conventions of society; the name “Heathcliff” acts as both his Christian name and surname in contrast to the inhabitants of Wuthering Heights with many names shared across the generations. Heathcliff continues to defy social and moral codes within Victorian society and within our own society as his origins, his parental heritage and acquisition of wealth remain shrouded in mystery as “not a soul knew to whom it belonged”, where these traits define each individual in the Victorian class hierarchy. His character brings disruption to the social order of both Wuthering Heights and Victorian society and embodies this Gothic element throughout the novel as Marxist critics view his character as a class hero, completely overturning social codes in his transformation from the “dirty, ragged, black-haired child” to the owner of Wuthering Heights and Thrushcross Grange. Heathcliff is frequently compared and contrasted to the character of Edgar

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