Crucible and Underthe Bridge

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How has Miller explored conflict in The Crucible and how has conflict been explored in ONE text of your own choosing?

Emotive language and dramatic structure, in Arthur Millers’ The Crucible and Anthony Kiedis’ emotional song lyrics Under the Bridge, are methods used to establish both the physical and personal conflict. They explore conflict through structuring the story in settings which emulate the characters personal feelings, in Salem 1692, a dreary, restricted Puritan town and in Los Angeles, Hollywood Hills, where the tranquillity of the environment is contrasted to the filthiness of the city. Through the structure and powerfully chosen language conflict is explored, engaging the responder, being the vehicle and form of expression in which the audience is given an insight into the core features of the human condition.

At the beginning of Act 1 we are confronted with the physical conflict in the play when Abigail threatens her friends when they are crumbling and on the verge of spilling Abigail’s secret: “Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you.” Power through violence is a main theme in this play. Whoever has power will enforce it viciously to ensure their needs are secured. For example, Tituba, Reverend Paris’ slave faces certain death by beating or confess to witchcraft. This outcome suits Paris’s needs, in order to hold responsible someone outside of his immediate family for witchcraft. Physical conflict is at the heart of the play through the witch hunt; a constant threat to all of the main characters integrity, constantly being scrutinised by a suspicious community on the road to utter destruction.

The personal conflict which is seen through the plays characters, especially John Proctor,

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