Many of the exchanges between Petruchio and Katherina are rapid and vicious. Using Act 2 Scene 1 as a starting point, explore how far the structure and the delivery of comic languages can mask darker social concerns? The relationship between Petruchio and Katherina is extremely dysfunctional in Taming of the Shrew. Shakespeare creates their dynamic as based around the issues of domestic and psychological abuse. Act 2 Scene 1 is used to be the point of which the issues start to become apparent, with the ensuing psychological and emotional effects on Katherina now she is being subjected to Petruchio entering her life.
The creation of disruption is a key theme in ‘A Midsummer Night’s Dream’ that Shakespeare uses frequently. This is mainly to portray the volatility of the relationships between characters. In Act 1: Scene 1, we are introduced to the disruption of Lysander and Hermia’s relationship by Egeus when he claims ‘and she is mine, and all my right of her.’ This is a disruption of the blossoming romance between the young couple, and of the desire they have developed to be with one another. By using the word ‘right’ Egeus is using the law at the time, along with social conventions, to get his own way and marry his daughter off to his chosen suitor, without any consideration for how she feels herself. This shows the context where marriage would be used to enhance a families place in society rather than for love.
He is a paradox in that no matter how hard he tries to clear his name, he cannot bring himself to forgive himself of his sins. Before the start of the play, Proctor has had an affair with the antagonist of the play, Abigail Williams. We see his struggle to forgive himself for his sins and clear his conscience throughout until he eventually refuses to live a lie and sign a confession of witchery to save his life. Proctor purifies his soul by telling the truth and saving Salem from the witchcraft hysteria. Proctors relationship with his wife is often associated with the cold, or harsh weather.
Connections in the texts such as the representation of Richard and his pursuit of power, notions of conscience and the use of language are indicative of the values in the respective societies. In Shakespeare’s text, Richard, one of Shakespeare’s most enigmatic and disturbing villains, outlines the consequences of separation from fellowship and God in a providential society. Shakespeare is critical of Richard’s individualistic nature; Richard lll enters ‘solus’ in the opening of the play that denotes his isolation. This concept derives from the end of 3HenryVI, “I am myself alone” and continues throughout The Tragedy of King Richard lll. In the opening soliloquy, he conspirers to the audience, further suggesting his isolation through the use of personal pronouns, “But I…I that am rudely
Maggie is the rather unattractive and shy daughter with the scars she bears on her body that have equally scarred her soul. As a result, she is timid, even frightened of the unknown. Maggie is often overlooked
Hamlet essay The individual grapples with “The slings and arrows of outrageous fortune”. How does Hamlet symbolise human adversity within the play? In the play hamlet, William Shakespeare reflects the human struggle between emotion and logic demonstrating the individual conflict experienced when facing the “slings and arrows” of life. Shakespeare’s characters reflect the Elizabethan contextual concerns with logic, reflecting the humanist values of the intellectual of the time, contrasted with passion of the individual when faced with daily conflicts within the amoral society of Hamlet’s Denmark. Hamlet explores the universal concerns of humanity with the utilisation of symbolism and metaphors to emphasise hardship from an eloquent, divergent perspective.
The Tempest charts a journey from the tranquility of Prospero’s physical and psychological isolation through to the chaos of conflicting emotions, made manifest in various characters. This eventually resolves itself through the reconciliation of opposing ideals, generating feelings of empowerment, renewal, and resolution. At the commencement of the play, Prospero’s character is overshadowed with conflicting ideas and questions. He experiences uncertainty in the appropriate handling of his daughter Miranda, and towards those who have exiled him from his dukedom in Milan. Bitterly describing his brother as one who could ‘awaken an evil nature’, his resentment is highlighted through the syntax ‘I pray thee, mark me, that a brother should be so perfidious’.
Amar Chinoy Dr. Julie L. Hawk English 1102: Section K4 21 March 2015 True identity and external identity in “My Appearance” and “Here and There” David Foster Wallace’s short stories, “My Appearance” and “Here and There” powerfully address the theme of reconciling true identity and external appearance. By displaying the struggles of Edilyn and Bruce in understanding their true identities, Wallace highlights how being too self-centered or giving too much importance to appearance has a detrimental impact on one’s ability to develop close interpersonal relationships. Wallace exposes the reader to a complicated personality struggle, which involves a continuous compromise between protecting one’s self-interest and behaving according to socially accepted conventions. “My Appearance” is centered on the appearance of Edilyn, a middle-aged actress, on the “Late Night” show with David Letterman and her struggle to reconcile her true identity with the superficial way in which society expects her to behave. In the beginning of the story, Edilyn mentions that her “heart’s heart is invisible, and unapproachably hidden” (Wallace 175), underscoring the extent of her suppressed identity.
He knows what he should do, but he continues to deny, until his wife is put into jail. John cares about his reputation, but he must confess his sin, in order to stop the frenzy in Salem and save his wife. After he confesses, he encourages his wife to do the same, “Elizabeth, tell the truth, I have confessed it!” John says. John needs to muster up all his courage to confess the adultery, and it is not easy for Qu- Page2 him. John is a vainglorious man, but love makes him brave to face his sin.
For that John Proctor had great character by forgetting his past and becoming a godly example and for that he should be considered a main character. John Proctor was a developing character and by towards the middle/ end of the book he cut ties with Abigail by burying that horse in the ground. Initially, John Proctor was to have had an affair with Abigail, which when explained in the appendix shows the true John willing to leave Abigail alone and start to realize the beautiful Elizabeth Proctor. When he talked with Abigail around the end of Act 2 he told her,” You will tell the court you are blind to spirits: you cannot seem them anymore, and you will never cry witchery again, or I will make you famous for the whore you are “(page 143)! This showed that John Proctor was willing to stand up for his wife and to bury his past with Abigail, by becoming a new person.