Bramante and Aethestics of High Renaissance

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Bramante and Aesthetics of High Renaissance April 29, 2013 The importance of architecture of Bramante and how we evaluate how architecture represents the attitudes and the aesthetics of the high Renaissance area by allowing us to see the artistic side of high Renaissance from different point of views. Bramante was a very classical artist and used antiquity in his work when it came to his art and his architecture. Without types of art into day’s culture and or museum we would not know what masterpices are or what a well known Vatican building would be or a templeton. For that matter the importance of architecuter in the high renaissance is the matter of how our culture and our socity as evolved over centuries and how we today still have some of that in process to show the amazing work of amazing people. Bramante was a natural when it came to humanistic values and he knew the roman models and style of the architectural aspects of each. Bramante first well known art work was the “Templeton” and this was a piece that was overlooking the Vatican, this building got its name due to the contemporaries and the look that Bramante has given it by the small ancient temple so to this day it’s still called the “little temple”. This temple sits along a side of a well-known church in San Pietro in Montorio. According to Kleiner “ this temple was done in a wonderful balance and harmony and is a perfect relationship as all the parts such as the dome, drum, and base are to one another and to the whole” (Kleiner, 2010). Old Saint Peters was also given a gift of Bramante and another architect masterpiece was build and that was named the “constantinian Basillican church. This building was old and was about to be in disrepair and even the pop’s states was sour when looking at this building. Saint Peters was the represented in the history of the church and with this said
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