Youssef Chahine And The Arab Cinema

1165 Words5 Pages
Youssef Chahine is an influential and prolific film director whose work will always be recognized. His career, linking almost five decades, is interspersed by more than thirty films in widely diverse cinematic styles and challenging countless social and political issues. Chahine’s early films did not treat critical observations of social contradictions as they affected political change on the national level. Even though some of his films may seem like they are handling a simple plot, but it does seem like Chahine has a message or a speech to deliver about Arab national unity. Much of his work was critical of the Egyptian government and condemned social oppression. The truly analytical and symbolic film of his style and fixations is Cairo Station (Bab el Hadid, 1958). In this film, Cairo’s main train station is the setting of the Egyptian society; a small community that encompasses of luggage carriers and soft drink sellers. The film displays the story of a crippled and sexually obsessed newspaper seller in Cairo station who is in love with a pretty soft drink seller; the story ends with a tragic death. Through this story, the film explores and represents the lives of deprived and underprivileged people who must put in much effort to manage a living for themselves to survive, no matter what the likelihood is. The film examines issues of class, sexuality, repression, madness, violence, and the social reality. In the melodrama of poverty and sexual frustration, Cairo Station refined the commotion of General Nasser’s new republic into a tense love triangle among three working citizens. The film marked a new visual daring and grip of ambitious and debatable subject matter. The film is an attempt to revitalize a formula and bring it into the audience’s mind. Most audiences will think that the film is harshly violent, or that the character of Qinawi is disturbing,
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