Where I Lived and What I Lived for

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The title of this chapter combines a practical topic of residence (“Where I Lived”) with what is probably the deepest philosophical topic of all, the meaning of life (“What I Lived For”). Thoreau thus reminds us again that he is neither practical do-it-yourself aficionado nor erudite philosopher, but a mixture of both at once, attending to matters of everyday existence and to questions of final meaning and purpose. This chapter pulls away from the bookkeeping lists and details about expenditures on nails and door hinges, and opens up onto the more transcendent vista of how it all matters, containing less how-to advice and much more philosophical meditation and grandiose universalizing assertion. It is here that we see the full influence of Ralph Waldo Emerson on Thoreau’s project. Emersonian self-reliance is not just a matter of supporting oneself financially (as many people believe) but a much loftier doctrine about the active role that every soul plays in its experience of reality. Reality for Emerson was not a set of objective facts in which we are plunked down, but rather an emanation of our minds and souls that create the world around ourselves every day. Thoreau’s building of a house on Walden Pond is, for him, a miniature re-enactment of God’s creation of the world. He describes its placement in the cosmos, in a region viewed by the astronomers, just as God created a world within the void of space. He says outright that he resides in his home as if on Mount Olympus, home of the gods. He claims a divine freedom from the flow of time, describing himself as fishing in its river. Thoreau’s point in all this divine talk is not to inflate his own personality to godlike heights but rather to insist on everyone’s divine ability to create a world. Our capacity to choose reality is evident in his metaphor of the “Realometer,” a spin-off of the Nilometer, a device

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