Rhetoric In The Stranger

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Rhetoric in The Stranger Throughout The Stranger, Camus uses existentialist theory and absurdist rhetoric to further the story of the main character, Meursault, who is socially detached and emotionally distant. Through the lack of evincive language, such as references to emotions or general empathy, Camus creates a character that seems to be above the bourgeois feelings of emotion. Camus attempts to inspire sympathy for a character who, throughout the story, feels none himself. A self-professed absurdist, Camus hated being labeled as an existentialist due to the fundamental differences of the two beliefs. Existentialism is a philosophical theory that states that each individual has absolute freedom of choice and each has the responsibility to regulate one’s own actions. Existentialists believe that life has no universal meaning thus the pursuit of any greater truth is unnecessary and trivial (Existentialism). In slight contrast, absurdists believe that in the trivialality of a universal meaning, but that the pursuit itself may contain greater truths (Belanger). However, both believe that the world as a whole is purely nonsensical and illogical (Existentialism). Camus’ philosophical beliefs are evident throughout his first work, The Stranger. Meursault, much like Camus, believes that many things in the world just exist, with no explanation or reason. The philosophy that our reality is nonsensical and illogical is a reoccurring motif through the story with Raymond Sintes one point exclaiming “It’s just that I’m here, and you are there and I’m shaking. I can’t help it.” (Camus 37). Meursault is also described as being very dismissive to the outside world, “Looking back on it, I wasn’t unhappy. When I was a student, I had lots of ambitions like that but when I had to give up my studies, I learned very quickly that none of it really mattered.” (Camus 41). Although
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