Hamlet portrays falsity when using rage against Ophelia after discovering she has been apart of a plot of revenge. He uses this as an opportunity to deny his love for her and degrade her until she felt horrible about her self. “I did love you once but you should have not belived me; for virtue cannot so inoculate our old stock but we shall relish of it. I loved you not.”(3.1.114-119). It becomes clear that Hamlet did truly love Ophelia, yet hid it because he was a coward.
Beatrice expresses her acceptance of Benedick’s love but does not realize the love inside Beatrice exists artificially. Beatrice’s faith in her emotions leaves her vulnerable to any criticism of her love to Benedick. For instance, when Hero commands Margaret to fetch Beatrice, Hero and Ursula purposely allow Beatrice to listen to them to invoke a stronger attraction in Beatrice towards Benedick. Shakespeare allows the first sign of the theme deception to manifests itself within Hero and Ursula’s conversation. Shakespeare aims to project a very harsh form of deception here in order to emphasize the power of deception of love.
If it be so (as so’tis put on me, / And that in way of caution), I must tell you/ You do not understand yourself so clearly/ As it behooves my daughter and your honor.”(I, iii, 99-106) Even Ophelia’s brother and father warn her about Hamlet, and how he may be using her but she does not listen because she is in love with Hamlet and does not believe he would use her. “Perhaps he loves you now, / And now no soil nor cautel doth besmirch/ The virtue of his will; but you must fear, / His greatness weighed, his will is not his own,” (I, iii, 17-20). After finding out that Hamlet murder her father and left for England, Ophelia is shock and goes mad because she thinks Hamlet
Laertes tries to caution his sister to “ … Keep within the rear of your affection…” He tells her if she gives into her desire, she will only get hurt in the end. Polonius’ advice is different from Laertes, as where Laertes is looking out for his sister because he loves, when Polonius is only looking out for himself. Polonius calls Ophelia naïve, he says that Ophelia does not understand pediment that she have gotten her self-involved in. Polonius tells Ophelia that she should not believe the promises Hamlet has made for her, that he is deceiving her by swearing his love, his vows “ …they are brokers, Not of that dye which their investments shows...” they are not as wholesome as they appear. Polonius forbids Ophelia to see Hamlet
When he criticized his daughter wrongly, he learns later on in the story about how senseless he was to judge his daughter blindly for the reason that he couldn't see her true identity. He rejects Cordelia in the beginning and then learns from this mistake after she dies, realizing her worth after she is killed. Lear hated Cordelia because he was hurt by her words, but at the end, he thinks her death is the worst possible thing that could have ever occurred. In the play King Lear by William Shakespeare, Lear learns from making some serious mistakes in how to become a insightful human being, which propels him to have a greater understanding of others. His suffering makes him understand what man really feels
This could be because of the fact that once Ophelia had received the letter, she gave it to her father. Hamlet did not trust Polonius, and from that moment on, Hamlet knew that he had to hide his love for Ophelia and act mad to protect her. One piece of evidence that also shows Hamlet’s love for Ophelia is when he confesses his love for her when he tells her: I did love you. (3.1.125) Hamlet says he loves her, but then goes on to say that he never loved her. This could be because he knows that he and Ophelia are being watched.
Is not that strange?” At the end of this line, Benedick asks if it is strange for him to love because they have always had a friendly war of words between each other and due to the fact that they squabble frequently. Benedick should take Beatrice’s hands into his own when he says this. Moreover, he should express love and honesty while smiling. Beatrice replies that it is strange when she says “As strange as the thing I know not,” and then she says “It were as possible for me to say that I loved nothing so well as you” but then takes this back by quickly adding “but believe me not.” Beatrice then reveals the cause of her sorrow and her true agenda, Claudio and Hero. While saying these lines, Beatrice should show signs of confusion by ruffling her hair and by walking in different directions and by altering the speed of each
This lack of structure around Jacob’s character alters our perception on who her character is and what she stands for in the play. Desdemona’s confidence in the love she bears for Othello is what inspires her boldness and bluntness. Yet the passion of her love both arouses and unnerves her husband too, adding to the seeds of fear and suspicion. However, without us, the viewer, seeing this confidence from Jacob, she just looks like a
This is primarily because he does not think about the most important aspect of this obsession with is Georgiana herself. He lacks the respect and consideration to avoid embarrassment for Georgiana. By constantly focusing on this one flaw that his wife has, it has made her very self-conscience and equally despise it. If Aymler had more of a conscience he would not try to obtain this sense of pleasure of picturing his wife without the birthmark as he would embrace it and think it was equally as beautiful as the rest of her
Albany suffers from the classic case of blindness. Albany is blinded by love. Although Albany disagrees with Gonerils cruel actions towards her father, he only half-heartedly argues his case against her. Albanys fear of upsetting Goneril is exemplified in his response to her demand that Lear dispose of his knights. ’cannot be so partial, Goneril, / To the great love I bear you (I, iv, 309-310).