Trickster Archetype Carl Jung

3805 Words16 Pages
Trickster Archetype: Captain Jack Sparrow By: Eric Shulman COMM 320 Professor Wroten March 12, 2012 Trickster Archetype: Captain Jack Sparrow Carl Jung used his brilliance to create functions that give rise to specific motifs called archetypes. Before explaining and interpreting how Jung sees archetypes, more so the specific archetype of the trickster, there are few things that need to be understood. Jung's archetypes are often confused with being symbolic figures, but that is not quite an accurate description. Archetypes are rather closer to being a social tendency that has its foundation in the biological construct of humanity; this tendency then goes on to influence the formation of symbolic representations. Archetypes…show more content…
Jung loved to portray the trickster archetype into mythological people and events relating to the Church. Jung initially used the example of the trickster archetype on the mythical person of Mercurius. He described Mercurius’ trickster motifs as follows: “His fondness for sly jokes and malicious pranks, his powers as a shape-shifter, his dual nature, half animal, half divine, his exposure to all kinds of tortures, and—last but not least—his approximation to the figure of a savior” (The Archetypes and the Collective Unconscious,…show more content…
He is the main character in each of the movies. Captain Jack Sparrow is the character that drives each of the movies. In regards to the plots, Pirates of the Caribbean: The Curse of the Black Pearl is a movie on its own and does not have a sequel. However, Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End are two movies in one, meaning Dead Man’s Chest leaves the audience with a cliff hanger that is explained and resolved in At World’s End. On Stranger Tides, a film I will not relate to in my comparison of the trickster archetype, contains its own new plot with a multitude of new

More about Trickster Archetype Carl Jung

Open Document