Our culture has always tended to label people by our first impressions of them. The 1954 film “Rear Window”, examines the lives of several people living in an apartment building in a large city. The main character is a bachelor photographer (Jeff Jefferies) for a magazine who suffers a broken leg while on assignment. As a result, he is confined to a wheelchair, in a cast up to his hip. With nothing to do to pass the time, he begins to observe his neighbors private lives through his rear window.
The themes of immature blind passion, hatred and prejudice play many roles in this brilliant film. Romeo and Juliet are young teenagers who fall in love despite the prejudice of their families. Regardless of the feud, they marry in secret. They try to hide their actions but the story ends with dire consequences. The actors in the film were very convincing and realistic actors.
For the most part, she merely listens and reacts, but with Fellini's connivance, Masina "steals" the scene”. [1] Fellini's skilfully places the silent Masina at the centre of the action, SFRUTTANDO her ability as an actress and her expressive face, which the actress said is the reason why “I can hide nothing. I exalt feelings. I make them explode"[2]. This scene is one of the many examples of the successful working relationship between Federico Fellini and Giulietta Masina, who created together some of the most unforgettable film characters of all time.
Michael Gordon illustrates Jan Marrow falling in love with Brad Allen and keeping her antagonistic telephone 'relationship' with her enemy in “Pillow Talk”, in order to convey that dishonesty can fool an individual into mistaking one’s identity as people can be totally different from who they were once perceived to be. Day and Hudson are a delightful pair and are pure magic. The dynamics of their relationship, whether it is love or hate relationship, are never without that special spark that fuses them together. This movie is truly a charmer, there’s an abundant amount of comedic enlightenment that virtually jumps off the screen and makes the audience laugh. Even a clever split screen technique was used to put them in compromising positions, each in his/her own bed or in the bathtub, talking intimately on the phone.
Daisy’s voice was one of the main traits that kept her so intriguing and mysterious for Gatsby, which Nick mentions when he says, “there was an excitement in her voice that men who had cared for her found difficult to forget” (9). The excitement of her charming voice came from her affection for money, a trait of hers that Gatsby clearly dismissed until his tragic death. Daisy was most certainly a woman without mercy, which could be observed when she ran off with her husband after she professed her love for Gatsby, and shattered Gatsby’s dream of a happy future with her. Both women, Daisy and the Faery, can be symbolized as heartless demons that are in the form of temptresses, beautiful yet deadly. The main similarity and flaw that Jay Gatsby and the knight both have is their creation of a fixated, unattainable dream: a hopeful future with their idealistic lovers.
Romantic movies distort and create false expectations of true love. They show exaggerated stories that are used to entertain, yet young women get wound up in the thought that they will find someone that will meet up to these expectations. These set beliefs can affect them in a negative way and often lead to disappointment. Books like A Midsummer Night's Dream, The Great Gatsby, and movies like The Notebook are all examples of love stories that produce that false hope. Women begin to think that they will find a perfect man that will hand them the world, that they should dedicate themselves to finding this man, and that they deserve an elaborate story full of passion and desire.
In Pitch Perfect, the comedy just keeps unraveling through every high note and low belt. Having a wedding could be the most stressful time in a woman’s life, even if it’s not your wedding, and you were the maid of honor, it can really take a toll on your life. In Bridesmaids, we catch a glimpse of the traditional American wedding with a comedic twist that can have any bridezilla laughing. We enjoy comedic movies about everyday life because they make us feel better about our own lives. Pitch Perfect, Bridesmaids, and Easy A, all feature a strong female lead.
She born as General Gabler’s daughter so she feels for a better destiny and imbues with romantic vision of making one’s own life a work of art. She could be imagined as distinguished, beautiful, proud and even in her defiance of her surroundings and in the gesture of her suicide. Hedda is pitiful because she is a tormented creature caught in an era that society imprisons women in limited choices, as a victim, in spite of her desperate to control the fate of others. With Hedda’s manipulative character, her desire of a “beautiful” death and her fear of scandal are the core characteristics that compels her to manipulate Lovborg in killing himself and leads herself to commit suicide. When Hedda first appears in the play, she is a cool character who has control of her emotions and actions.
Why do women return to their cheating partners? Many people, women in particular return to their partners who would constantly cheat on them and show disrespect their relationship. From an outsider’s point of view, it is the most irrational decision a woman would make, but why would these people come back again to their partners who clearly disrespected their bond and would most likely do it again? Reasons may vary from total love and devotion or the hope that the cheater will change, but the most crucial is monophobia, the fear of being alone. Firstly, when someone is totally devoted to their love interest it may be hard to turn a conscious eye to their imperfections and faults.
Desdemona’s innocent, loyal, and honorable traits contribute to the theme that things are not always as they seem due to Othello’s failure to recognize them in his moments of jealous accusation. Desdemona’s most obvious trait is that of innocence. It is shown clearly throughout the whole play through her religious faith, dedication to Othello and her disbelief in any act of betrayal. In the beginning of the play, Othello too is dedicated and in love with Desdemona. Although, by Act IV of the play Othello is convinced, by Iago, that Desdemona is a “whore” and dishonorable to their marriage.