After a moment of high school flash backs including Romy being fat and Michelle with a back brace, they realize that their lives are not so impressive and yet want to impress everyone attending the reunion, but most of all, to impress the “A” group and its leader, Christie Masters. As the girls try to instantly re-invent their life by Romy getting themselves boyfriends while Michelle getting a job at a high end fashion boutique, and both losing a couple of pounds (which they fail at) they realize its all too hard and soon give up. While they both complain about how unfit they are to impress their peers, Romy gets the idea to impost businesswoman after Michelle believes that the models in the executive women suits page in vogue are real businesswomen. While Michelle makes their disguises, Romy goes to her work to borrow a car from her Latino mechanic work fellow “Ramon”, who isn’t so shy about his sexual attraction towards Romy. Michelle eventually scores a hot car for a while in exchange to fake having sex with him while Ramon’s co-workers listen.
When Evyn first saw Eleni, with her red lipstick, black pants, and high heels, she thought Eleni looked nothing like a college professor and a mother. Evyn made the assumption that she went partying every night. That is an example of her being judgemental. After her father, Birdie, reminded Evyn that her new combination lock was 5, 10, 15; she forgot, making her forgetful. An example of Evyn being unintelligent was when her so-called friends, Andrea’s group, calls her Evelyn and doesn’t talk to her unless it’s to ask about updates with Ajax, she doesn’t realize that they’re just using her.
Toula is depressed because she has no self-esteem, as she has mousy brown, stringy hair, big glasses and feels she is unattractive, also because she is in her thirties and not yet married, let alone have a boyfriend. Until she gets married she will open and close the family restaurant every day. Her family wants her to marry a ‘nice Greek boy’ and have children, and cook for them all, but Toula wants to marry for love, not just a traditional marriage with a Greek man. Toula and her family live in a big white house with columns and a big Greek flag on the garage door, to show people they are Greek and proud of it. The Greek flag brings more colour to the end of this scene.
C-Carlos is the boy sadie haves a crush on. he works at the store. when its turn to work sadie never go in or she send someone else in there to buy her stuff. D-One reason she said she broke up with him becaus e they never go one dates and stuff.But they went to the movies once. E- She was exitcited tghat her and scott dated and she could not stop talking about it to april and sadie.
At the beginning of the novel, Montag thinks that their relationship is just fine; in fact, he declares to himself that he is perfectly happy. However, when he gets home that first night, to find Mildred comatose after a suicide attempt, then he starts to wonder if he and Mildred really are happy. Then, when Clarisse pulls the dandelion "you're not in love with anyone" stunt, he is even more startled. He realizes that he can't even remember when he and Mildred first met. He realizes that they don't really have a relationship at all--he goes to work, she watches her television, and they don't talk.
Non Verbal Messages: Just Wright The film begins with Leslie Wright (Queen Latifah) leaving her fixer-upper house, which her dad is helping her fix. She goes to work as a physical therapist at a rehabilitation center and heads off to a date afterwards. The date goes very well, they talk and seem to click. When they leave, she alludes to another date, when he stops her and explains that he’s not ready to date. She’s obviously been given this speech in the past because she finishes all of his sentences.
Ardis, a friend of Irene and Deems’ had met Brennan for the first time at the dinner party. He was a drunk, arrogant poet who tried coming on to her. After that night Ardis asked about Brennan’s work at a local bookstore, finding out that he took all of his work out of the shops because he didn’t want unworthy people to read it. On her way home she passed his house and came across his dog who followed her home. After bringing him back to Brennan’s house she could see that he wanted to go inside, so for some odd reason she decided to go inside.
She lives a stagnant life and does not move forward in finding the fulfillment she needs. Although she tried to make conversation that would please her husband by asking him, “Henry, could we have wine at dinner?” and, “Henry, at those prized fights, do the men hurt each other very much?” (p. 636), this is a conversation that would only interest Elisa’s husband and not herself. Elisa seems to have accepted the societal norms of living by the man’s rules. Women in this era had their housewife duties and took care of their husbands regardless of what their needs or wants were. Gender inequality was normal during the time this story was written.
Analytical Essay of Rear Window Rear Window is a classic movie, directed by Alfred Hitchcock, about human curiosity, voyeurism and murder. The screenplay was written by John Michael Hayes and based on Cornell Woolrich’s short story, “It Had To Be Murder.” The movie tells the story about a magazine photographer named Jeff Jeffries, who while recuperating from a broken leg, was in a wheelchair and confined to his apartment. Feeling bored and caged in by the lack of anything interesting to do, and also feeling trapped by his supermodel girlfriend’s marriage proposal, Jeff sits next to his window every day and starts to spy on his neighbors in the other apartments. One night, he sees a woman having an argument with her husband. The next day, she disappears and Jeff notices that her husband is acting strange and suspicious.
Tom quietly informs her he wishes to see her and so she arranges to meet them shortly, leaving her husband under the pretense of visiting her sister in New York. While on their way to Tom and Myrtle's apartment, Myrtle spies a man selling dogs and insists on having one. Once at the apartment, Myrtle phones her sister, Catherine, and her friends, the McKees, to join the party. The six people spend the afternoon in a haze of drunkenness. As the afternoon wears on and she becomes increasingly intoxicated, Myrtle becomes more and more outspoken about her situation in life, her marriage, her impassioned first meeting with Tom, and finally, Tom's marriage.