Her physician husband John “a physician of high standing”, does not believe she is sick. He prescribes the “rest cure” and makes all the narrator’s decisions for her. Her brother also tells her to take phosphates, air and exercise. From the narrator, the reader learns that the people around her refuse to believe that she is truly ill. Her resulting powerlessness pushes her over the edge of insanity: “But what is one to do?” (Gilman 598) Along with characterization, vivid imagery is another essential feature of an enjoyable story.
ENG110 As it would appear The Yellow Wallpaper by Charlotte Perkins Gilman is a narrative describing the trials a woman faces when battling PPD (postpartum depression). However, under further investigation it is clear that the meaning Gilman imposes on her audience is the concept of entrapment to amplify the absurdity of male dominance in the 17th C. Opposing characteristics of the female main character and her husband, in conjunction with imagery and the metaphor of “the woman in the wallpaper” collaboratively work to express the standards expected of a woman and the feeling of isolation evoked by powerlessness. The central character of The Yellow Wallpaper is our narrator who serves as both mother and wife. Her role in the story is contrasted by the leading male character her husband, John, a physician. However their union seems less like a marriage and more like the relationship one would see between parent and child.
The wallpaper is used characterically to reflect the marriage the narrator finds herself ambushed inside. At the start of the short story, the wallpaper is merely seen as an aberrant bore, but as the narrative progresses, the wallpaper becomes much more baleful and frightening. As a site of symbolism, the symbol has three functions in Charlotte Perkins Gilman s ’, “The Yellow Wallpaper”: it reveals the wallpaper including the imagery, imprisonment and symbolism. The imagery of the wallpaper in Gilman’s “The Yellow Wallpaper” transitions as the short story is developed in order to emulate the increasing realization of the monopoly the narrator’s marriage has upon herself. The very first descriptions illustrate her initial animus by describing it as “one of those sprawling flamboyant patterns committing every artistic sin” (Perkins 41-42).
She informs him that both Nabby and Johnny suffered from a distemper that caused damage to their eyes but she reassures him that once the children are back health they will write him. Although Abigail informed John about what was going on at home she made sure that he knew she had everything under control and there was no need to panic. In John’s reply letter he made sure to let Abigail know that he was not upset with her and that she is being very strong. Also in the letter he discussed his disappointment in their friends because they knew Abigail was very busy handling the family and they did not write him to inform him what was going on. John even says “My friends think I have forgotten my wife and children?”(pg 307).
The yellow wallpaper In the story, wallpaper, a usually feminine, floral decoration on the interior of walls, is a symbol of female imprisonment within the domestic sphere. Over the course of the story, the wallpaper becomes a text of sorts through which the narrator exercises her literary imagination and identifies with a feminist double figure. When John curbs her creativity and writing, the narrator takes it upon herself to make some sense of the wallpaper. She reverses her initial feeling of being watched by the wallpaper and starts actively studying and decoding its meaning. She untangles its chaotic pattern and locates the figure of a woman struggling to break free from the bars in the pattern.
The husband wanted to save his wife, but on the other hand, their children belief that their mom wants a quality of life with dignity. When a nurses engaged such a complex ethical situation, the Ethical Committee resources included multidisciplinary groups that are needed to assist patient and family. Based on statutory law, patients have the right to make a decision to withdraw or withhold any treatment (Blais & Hayes, 2011). In the case study of Marianne, the patient do not have advanced directive on file, therefore, the statutory laws are not against family's decision related to her care. The nurse can only educate and provide information and be the patients' advocate.
When Myrna gets sick the visits are put to an end. Physical contact is replaced with unpersonal letters which allows her to keep the distance she needs, but still be able to have her maternal feelings fulfilled by the information she gets through the letters. Despite the distance Myrna has forced in between her and her son, she feels a part of her leap to life at the sight of him. This shows her remaining love for her son – and after all she is glad he is fine: “... she was glad he hadn’t been maimed or murdered in prison. At least he looked whole and healthy of body,” (page 2, line 10).
Short Story Analysis Have we ever read a story that just didn’t make sense at all when first read? That the descriptions in the paper just create vivid pictures in our mind that are kind of disturbing. That is exactly how this short story was constructed. In The Yellow Wallpaper by Charlotte Perkins Gilman, the author uses symbolism, imagery, irony, and theme to show the subordination and trapped role of women in domestic life. Gilman uses symbols to explain the how women are trapped in domestic life.
“But that’s not the way I am and there’s nothing I can do to change that.” ‘The Curious Incident… shows that all people are capable of change if they have a goal they really care about’. Discuss. In The Curious Incident… Christopher’s mother writes to her son that she left partly because of the continual conflicts between her and Christopher and Christopher’s father. She admits she is short tempered and feels pessimistic about her power to change this. However, by the end of the novel she is making an effort to take control over her emotions: she sees a doctor and receives medication for her depression, and attempts to be patient in dealing with Christopher.
...Is it good with water?" Her behavior can be interpreted to be a sign of insecurity more than anything else. Jig trusts his judgment, feels secure in his company and seems willing to do anything to keep him around. When pushed on the issue of the operation, Jig shows no real concern for her own health or mental well-being, stating categorically, "I don't care about me." Jig's main concern is whether or not she can make her partner happy so that they will "Be all right and be happy."