The Arctic wolves are the prey of the Grey wolf and coyotes. The Artic Wolf’s behaviour is very headstrong and bold. They can endure the Arctic weather conditions with the help of their deeply insulated pale white fur. They are capable of surviving for years in sub-zero temperatures and for five months, each year, they live in pitch darkness. Arctic Wolves travel in approximately 20 wolves per pack and each pack deliberately tries to avoid other packs.
The settings presented are also dark and eeire, and Dracula himself lives in solitude with no other companion. The film adaptation of Bram Stoker’s ‘Dracula’ is just as reliant on the conventions of Gothic fiction (a genre that was extremely popular in the early nineteenth century when the book was written) as the novel, making it not only follow nicely in the novel’s footsteps but also proving to be a chilling delight for the viewing audience. Gothic fiction traditionally includes elements such as wild landscapes, eerie castles, darkness, and decay, isolation, security, the supernatural and innocent maidens threatened by unspeakable evil. Stoker has utilized all of the above and consequently, as does this film adaptation. An example of this would be in the theme of isolation as Dracula’s castle is hidden in the recesses of Transylvania, kept away from civilization of any description.
Why Dracula is a Gothic Novel The horror story Dracula, written by Bram Stoker, is a thrilling novel about the notorious vampire, Dracula, and about a group of men and women who suffered from his evil and fought back. This novel, written in 1897, is one of the most famous gothic novels, and one of the most famous pieces of literature still to this day. The setting of the novel, the terminology, and the deep emotion that Stoker used allows the reader, and literary critics, to classify Dracula as Gothic Literature. The elements that Dracula contains to make it gothic include the setting of a castle, a suspenseful atmosphere, dreams and visions, inexplicable events, overwhelming emotions, distressed women, metonymy of horror, and of course gothic vocabulary. For a novel to be considered gothic, it must contain certain elements; Dracula reflects many of these unique principles.
However, it is not until a bit later in the tale that the two themes of sex and violence are obviously linked. This is clearly shown when the protagonist sees “a dozen husbands impal[ing] a dozen brides” in the mirror. The use of the word “impale” here is interesting as it has connotations of violent stabbing and penetrative sex. The Bloody Chamber, I think, is one of the best examples of a tale wherein sex and violence are always linked. In The Snow Child the themes of sex and violence are closely linked.
Author Denise Giardina has great narrative abilities. She can spin a wonderfully coercive and succulent story, as she has done in Storming Heaven. The novel has a beautifully fictitious plot that ties in perfectly with the events surrounding the coal wars and the Battle of Blair Mountain. She really gives the reader an idea of what it might have been like to be a West Virginian during this era. The plot is set up in a way that causes it to be quite interesting to even those who are most loathing of history.
They also notice "the gloomy curve of the moor" and "the jagged and sinister hills" in the distance. When Sir Charles and Watson arrive at Baskerville Hall, they think it is very gloomy, with its iron gates, the ruined stone lodge, and the long drive with dark trees hanging over it. The Hall has two Gothic looking towers, which are covered with ivy, and inside, the main parlor is darkly paneled. The dining room is also very dreary, and is decorated with intimidating portraits of stern ancestors. In the night there are frightening sounds.
Mary Shelley’s Frankenstein, and Edgar Allan Poe’s short story “The Fall of the House of Usher”, are both excellent examples of Gothic literature and the elements which set this genre apart from others. Each author employs such Gothic elements as metonymy, mystery and suspense, and overwrought emotion to create pieces of writing that have affected the way we tell stories even to the present day. Metonymy is an element that affects the way the reader interprets the scene without knowing it. In Gothic literature, metonymy usually makes for much “doom and gloom.” Blowing winds, howls, moans, sighs, and eerie sounds are all entwined within Frankenstein, illustrating Shelley’s use of metonymy. All of these are used to subtly reference the overall air of darkness and horror apparent in the novel.
On May 11, 1858, Minnesota became the 32nd state to join the United States of America (Minnesota). Early on, the state was filled with vast resources and an abundance of wildlife. Most of the wildlife, such as deer, elk and moose, contributed to the settler’s diet. Natural predators created competition and hardships for the new settlers; one of these animals was the Gray Wolf. The decrease in the amount of large mammals that the settlers consumed left wolves’ preying on cattle.
The two major insistences of wolves and humans conflicts involve a median of livestock or domestic animals. Wolves primarily feed on deer, elk, and moose, and only occasionally will prey on domestic livestock. This behavior can be culled by the rancher taking a few precautions to limit wolves and livestock interactions. The problem lies in effecting a change with ranchers and farmers in the areas that are
Page 1 Gothic Themes of Frankenstein JacquelynWilliams-Eid English Literature Tue-Thu 10:30-11:45 Page 2 Mary Shelley is a British writer who is best known for her Gothic novel Frankenstein. Frankenstein was written in the eighteen hundreds and is now one of the most best known novels of the time period. When Mary Shelley wrote Frankenstein she used a gothic theme throughout the novel. The term gothic refers to a genre or elements that came about in the eighteenth century. In a gothic novel there are elements of horror, mystery and suspense.