Bringing street art which people frown upon into the museums of art, and making it apart of new history. I really enjoy this painting by Bruce Bailey because I like the way he used the colour and showed movement throughout the painting in an abstract way, and how the artwork has a very positive attitude towards
Artists are willing to express their art in society giving us variety of different forms of art to admire and look at it. They allowed us to embrace them in everyday life and really influence what we do. When someone walks down the street in a city and look around you, the influences of art, both old and new, are visible everywhere. This is why art is no longer about a simple painting on the wall or that sculpture in a museum, it is about expressing ourselves in our own unique way. Art is found everywhere in this world such as the web, radio, iPod, or in the architecture of the skyscraper similar to the New York Skyline.
A picture can speak one thousand words through many different texts. It doesn’t mean that a picture speaks one thousand words exactly. However it simply means that a picture can speak one thousand words through many semiotic codes, through many different representations, and through your attitudes values and beliefs. In every picture or text there are three different readings that can be possibly made. These include intended, alternative and resistant readings.
Instead, choose three points on which to compare or contrast. For example, a paper on diamonds and cubic zirconias might compare appearance, composition, and cost. Your developmental paragraphs may present all similarities or all differences. However, if you choose to blend comparison and contrast, your first paragraph should develop the UNSTRESSED topic and your next two paragraphs the STRESSED topic. For example, if your thesis is that although there are some similarities, the two topics are mostly different, your first developmental paragraph will present the similarities and your next two the differences.
This method is when the artist takes scraps or leftovers from other materials or projects and puts them on their sculpture. The Katsina is constructed of many different objects that make it become a whole and to look just as Garcia had planned. Some of the objects used were cat whiskers, feathers, yarn, toothpicks, and leather. Katsina has some great composition that Garcia expresses very adequately.
His “slicing emotional realism” set him apart from most. Diaz found away to connect with readers through his lucid but yet funny writing style. This source connects and ties directly into what I had described before with Diaz and his detailed writing style. I had mentioned how he was very descriptive and used imagery to get messages across to the reader. Almost like he is creating a movie with words, Diaz paints a picture for his readers with every sentence.
Throughout V’s Shadow Gallery, it is evident that he is certainly passionate about art and all of its connections. However this is not only expressed in the objects in which he keeps in his shadow gallery; he also shows his passion for art through his own physical appearance, speech and his motivations. V keeps a jukebox in his shadow gallery. This in itself shows a particular interest that he has in the arts. Look a little closer and we notice that the music that it plays is from revolutionaries, reflecting V’s ideology and foreshadowing the events to come later in the plot.
Adam Borjon Professor K. Mitchell English 256 June 1, 2009 Interpretation of a View From the Inside Luis Rodriguez is a very powerful author, his words and books can capture so much in very little time. As a reader, one can experience many different feelings through out the course of his books. These emotions are transferred from his personal experiences, then into his books, then placed into the readers mind in a very creative fashion. Luis Rodriguez is able to maintain this creative appeal with his ability to cross poetry and first hand accounts into a descriptive flowing piece of words. As a reader, it is hard to lose interest because of his ability to entrance the reader into his thoughts.
Sentence three is written over three lines, with the first two of those lines demarcated by a comma. Thereafter, run-on lines are progressively used towards the end of the poem. This creates an increasingly meandering cadence, and particularly contrasts to the parallel phrasing of the opening three lines: “The women’s bodies … / The men … / The seawater …” (lines 1-3). In contrast, Frost uses a concise form of four iambic trimeter quatrains. The occasional, but very deliberate, use of two unstressed syllables within some lines quicken the pace, emphasizing the message to the reader.
Photographs are often richly filled with symbols, some which are very recognizable while others need you to study the photograph a little further. Szarkowski claims that symbols can reveal depths of undiscovered meaning which would help the viewer fully understand its content: 'If photographs could not be read as stories, they could be read as symbols' (Szarkowski, 1966 p.8) In both images by Crewdson and Hardy consists of a mirror which is positioned so you initially notices it. 'Among all the objects endowed with symbolic significance, the mirror hold a position of privilege. Its ambiguity and multiplicity of meanings are reflected in the extraordinarily rich iconography that has been attempting to represent it from the Middle Ages to the present day.' (Battistini , 2002 p. 138).