The added use of “they” ultimately shows the loss or lack of identity held by these men in life or death. In addition, the regular rhyme scheme in the poem portrays the ongoing harshness and bitterness that Browning feels towards the display. Enjambment blurs the evenly spaced content which furthermore shows that Browning is confused about why brutality was allowed and continued to happen. In the sixth stanza, Browning puzzles over the causes of suicide: disillusioned idealism, the world’s cruelty, money and women. This is shown by “Money gets women, cards and dice Get money, and ill luck gets just The copper couch…”.
Meanwhile, a Mississippi Mother Burns bacon” described her writing style the best. The poems talks about the lynching of the late Emmitt Till. The poem was based mainly on regret, guilt, and hatred. Gwendolyn uses code names like “HE” and “HAND” and also “Fine Prince” to describe the men in the poem. The turning point in this poem was when Gwendolyn said “She heard no hoof-beat of the horse and saw no flash of the shining steel.” This line describes how Carolyn realized that Roy was not the man he appeared to be and she grows to be angry and disgusted with him and “her hatred for him bursts into glorious flowers”.
The causes of her death was the buildup of guilt in her. In this quote Lady Macbeth was trying to wash off her guilt by using the word blood in comparison. She feels remorseful for her husband sin. They have killed many innocent people to cover up their past faults. Thus this was what she meant by not even the perfume of Arabia can cover up her guilty sin.
The word ‘coarsened’ implies that the women’s relationship with birth and life is tainted by munitions work and its association with death. It also maybe suggests about the ‘coarsening’ effect, both physical and moral that manual labour has on the finer features of women. In the poem, Gabrielle might be trying to suggest that war changed the role of women and portrayed them in a negative light too. Women are meant to bring new life, but instead these women were making weapons of destruction. In the poem ‘The Jingo woman, I think Hamilton was trying to reveal that British women were not a race at peace, but a race at war, along with the rest of British
Her love for her lover falls because of his death and the character becomes abusive and harsh towards her sister . Set also in Victorian times , the poem describes a love that is strong that turns into a betrayal because of jealousy . In ‘Macbeth’, we hear Lady Macbeth’s voice more frequently than the farmer’s bride – she doesn’t seem to even speak through the entire poem. In ‘Macbeth’ when Macbeth is greeted by three witches as “King hereafter” , he sends a letter to his wife about the encounter , knowing that she loves him and that she will understand what she needs to do by providing the “direst cruelty” required for killing the king . When the letter arrives , Lady Macbeth instinctively understands that Macbeth’s letter to her is a silent request for help.
Her poem keeps going with a tone of anguish feelings, as if she’s trying to forget something or put something away because it brings her bad memories. She refers to these memories as “lines drawn with a bent stick” the lines represent the lies or actions that hurt her, hence the “bent stick” because they weren’t honest confessions or benevolent actions. They were crooked or bent. She explains she is trying to forget all the wrongful actions by saying “lines so thin that passing feet obliterate one end as the other is drawn” this simile gives a more cheerful insight on what she is trying to do, by saying the lines (lies) have a weak foundation that they can easily be erased ( forgotten). “to quell and staunch that indecisive voice…..with countless disguised surrenders of the will” these phrase depicts that she has tried and failed to forget what haunts her by explaining that her will
Intermingled within her thoughts that seem to mean nothing, she expresses her grief as well as dropping subtle hints that Hamlet is the reason why she has gone insane. Ophelia has a difficult time dealing with her father's death, and ultimately ends up going mad because she can't cope with it. Unlike Laertes, Hamlet, and Fortinbras who have the option to revenge their fathers' death, Ophelia, cannot take revenge on Hamlet, because in the time period the play was written, it was improper for women to do so. Ophelia was completely devastated over her father's death, "He is dead, Gone to thy deathbed, He will never come again." When she is introduced as being mad in the play in Act IV, scene 5, she makes many references to her father's death through a song she sings.
Sexton saw writing as a way to escape. She was a confessional poet. “‘Confessional’ is sometimes used to describe the representation of extreme, personal, possibly painful experiences, for therapeutic or cathartic effect” (Matterson 49). Sexton was often shunned because of the graphic material in her poems like adultery, suicide, and masturbation. “Sexton once wrote that poetry ‘should be a shock to the senses.
Lord Capulet becomes enraged of this defiant behaviour, “An you be mine, I’ll give you to my friend / an you be not, hang, beg, starve, die in the streets, / For, by my soul, I’ll ne’er acknowledge thee” [III, v, 192-4]. This shows that Lord Capulet her own father would rather her dead than to go against his will. Also her mother speaks as if Juliet was some unwanted item that was no longer necessary, “Do as thou wilt, for I have done with thee.”
In their day and age these characters would be judged by many factors including social and cultural backgrounds, crimes committed and personal traits. Both of these writers seem to conjure their audience into a state where it compels them to relate to certain characters. Lady Macbeth certainly loses or suppresses her feelings of cowardice. Throughout her appalling invocation to the spirits of evil to “unsex her”, proving her ambition to attain her goal. In Jacobean times women were seen as inferior and even in the Victoria era, thus she required external forces to crush her conscience to allow her to fulfil her ambition.