Rob’s Got Issues: a Psychoanalytic Reading of Nick Hornby’s High Fidelity

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Rob’s Got Issues: A Psychoanalytic Reading of Nick Hornby’s High Fidelity High Fidelity as a title is an interesting play on words as a title. It indicates both the dysfunctional and immature main character's love for music and the high end stereo equipment that comes with an almost unhealthy obsession with pristine audio and also his lack of faithfulness and commitment to his various romantic partners throughout his life. While that may sound rough, I like to think that Rob Fleming has seen the light, so to speak, by the end of the novel and begun on a long journey out of the pit of problems he has been digging himself into for more of his life. Problems that include both a severe fear of intimacy stemming from his root fear of death and therefore abandonment as well as his many personal insecurities caused in part by societal pressures to be a certain way as an adult male in society. The book begins with Rob airing out the dirty laundry of his past by enumerating the five worst break-ups of all time in his own life. That alone seems to prove the point that Rob is a depressive personality. A very telling quote that sets the tone for his future self's fear of intimacy is this: “But there still seems to be an element of that evening in everything that has happened to me since; all my other romantic stories seem to be a scrambled version of that first one” (Hornby 9). This is pertaining to his first "girlfriend," Alison Ashworth and it's obvious that this first brush with romantic relationships scarred his young psyche. Lois Tyson, author of Critical Theory Today: A User-Friendly Guide writes that, "the unconscious comes into being when we are very young through the repression, the expunging from consciousness, of these unhappy psychological events" (12). That doesn't mean that repression eliminates the painful experiences and emotions we feel. Instead they act in

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