Odin and His Relation to Poetry

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Page 1 of 10 2900 words ‘The central characteristic of Óðinn - the trait that connects all the others - is his role as the divine patron of poetry.’ Do you agree? Give reasons to your answer referring to AT LEAST THREE medieval texts. A reading of the Prose and Poetic Eddas makes it evident that the Snorri Sturluson, the compiler of the texts, considered Óðinn to be the central god of the heathen hierarchy to the extent that Gabriel Turville-Petre suggests, ‘Óðinn had grown even more powerful in his [Snorri] eyes than he had ever been in the eyes of heathens’.1 The critical framework that McKinnell establishes prompts two areas of enquiry. First, the reasons for which Snorri considered Óðinn so powerful. This question is especially significant in relation to the god’s characteristics. The extent to which his role as the divine patron of poetry is the reason for him being ‘more powerful’ in Snorri’s eyes, however, will be challenged. Furthermore, the context in which Snorri was recording his material is emphasised. Writing in recently Christianised thirteenth century Iceland,2 Snorri is widely believed to have been recasting heathen myths and legends from a far earlier period, with the aim of ensuring this type of poetry was not lost.3 With this context in mind, there appears a distinction between how Snorri interprets Óðinn’s many characteristics compared to how these characteristics would have actually manifested themselves when these myths and legends were originally told through an oral tradition, suggesting that Snorri is likely to have imposed a Christian interpretation onto the material he recorded.4 Turville-Petre, ‘The Cult of Óðinn in Iceland’, Nine Norse Studies, (London: Viking Society for Northern Research University College London, 1972) p.1 1Gabriel 2Snorri Sturluson, The Elder Edda: A Book of Viking Lore, trans. Andy Orchard, ed.
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