Music in the Renaissance

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Music was an essential part of civic, religious, and courtly life in the Renaissance. The rich interchange of ideas in Europe, as well as political, economic, and religious events in the period 1400–1600 led to major changes in styles of composing, methods of disseminating music, new musical genres, and the development of musical instruments. The most important music of the early Renaissance was composed for use by the church—polyphonic (made up of several simultaneous melodies) masses and motets in Latin for important churches and court chapels. By the end of the sixteenth century, however, patronage was split among many areas: the Catholic Church, Protestant churches and courts, wealthy amateurs, and music printing—all were sources of income for composers. The rich interchange of ideas in Europe, as well as political, economic, and religious events in the period 1400–1600 led to major changes in styles of composing, methods of disseminating music, new musical genres, and the development of musical instruments. Related Multimedia Nicola Cosimi (fl. ca. 1708), Prelude from Select Preludes & Vollentarys for the Violin. Performed on Andrea Amati: Violin (1999.26). Girolamo Frescobaldi (1583–1643), Balletto Terzo (Balletto-Corrente del Batto-Passacagli). Girolamo Frescobaldi: Toccatas and Capriccios. Performed on Spinetta (53.6ab). Timelines (8) Primary Thematic Essays (7) Other Thematic Essays (27) Maps (1) Index Terms (27) Share The early fifteenth century was dominated initially by English and then Northern European composers. The Burgundian court was especially influential, and it attracted composers and musicians from all over Europe. The most important of these was Guillaume Du Fay (1397–1474), whose varied musical offerings included motets and masses for church and chapel services, many of whose large musical structures were based on existing

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