The art form known as Opera had originated in Italy in the early sixteenth and seventeenth centuries, even though it put the squeeze on older traditions of medieval and Renaissance courtly entertainment. The word opera, meaning "work" in Italian, was first used in the modern musical and theatrical sense in 1639 and soon spread to the other European languages. The earliest operas were unassertive productions compared to other Renaissance forms of sung drama, but they soon became more extravagant and took on the remarkable staging of the earlier genre known as intermedio. The earliest operas, including Claudio Monteveredi’s Orpheus were performed in private theatres at the courts of nobility and royals. The first public opera house opened in Venice, Italy in 1637, and by the eighteenth century public doors began charging the public for admission into these opera houses.
The early fifteenth century was dominated initially by English and then Northern European composers. The Burgundian court was especially influential, and it attracted composers and musicians from all over Europe. The most important of these was Guillaume Du Fay (1397–1474), whose varied musical offerings included motets and masses for church and chapel services, many of whose large musical structures were based on existing Gregorian chant. His many small settings of French poetry display a sweet melodic lyricism unknown until his era. With his command of large-scale musical form, as well as his attention to secular text-setting, Du Fay set the stage for the next generations of Renaissance composers.
- The Baroque gave rise to a remarkable variety of musical style, ranging from the expressive monody of Claudio monteverdi (1567-1643) to the complex polyphony of J.S. Bach (1685-1750). -Baroque also introduce many new musical genres--opera, cantata, oratorio, sonata, concerto, and suite -Despite the quick stylistic changes and all the new types of music created, two elements remain constant throughout the Baroque period: an expressive melody and a strong supportive bass. Expressive Melody: - In early Baroque music, the voices are no longer equal. Rather a polarity develops in which the musical emphasis gravitates toward the top and bottom lines.
Music SA #3 The Baroque period saw many changes in music elements, styles, instrument craftsmanship, composer’s roles in societies and it saw the rise in opera. Opera is a dramatic production sung throughout. Opera changed the musical scene, as people knew it. Before this period performance music was mostly used in religious settings or for the very rich or noble classes. The composers of opera were trying to reproduce what they thought was classical Greek theater.
The Dominant Style of the 18th Century The eighteenth century is characterized by the period of Enlightenment. It was during this period that music and culture flourished across Europe as people everywhere promoted universal education, individual faith, practical morality, and social equality. Amidst the cultural and musical shift that took place during this time, two styles, known as galant and empfindsam, stood out as two of the dominant musical styles of the Classical Period. This paper will use Carl Philipp Emanuel Bach’s Sonata in A Major and the first movement of Wolfgang Amadeus Mozart’s Sonata in F Major, K.332 to explain the galant and empfindsam style as well as discuss the ideals of the Enlightenment and the social developments of the period as they relate to music making. Carl Philipp Emmanuel Bach was one of the most influential musicians of the Enlightenment.
His main goal was to create a musical piece that was meant to be appreciated by a large population opposed to only a certain group of people. Vivaldi’s popularity soon made him famous in countries such as France, at the time very closed into nationalism. He is considered one of the authors that brought Baroque Music to evolve into an impressionist
Primarily the Sonata from can be looked as a innovation, or an advancement of binary form (A-B-A) which was common in French dance movements. “The origins of the ‘simultaneous returns are more complex. A return of the opening Music in the tonic was common following a ‘Trio’, and in the da capo aria, the Italian opera overture, the concerto and the simple aria. Sonata form transformed the division within the second part of rounded binary from into a return to the original theme in the tonic.” (Webster) Writing in a piece in Sonata Form for an 18th century composer it is important to remember there are not specific rules to this form, the structure that is
Heavyweights in classical music such as Edgard Varèse, Iannis Xenakis and Karlheinz Stockhausen have put out compositions and works using non-Western microtonal systems. Moreover, to label classical music as ethnocentric is equivalent to partiality. After all, those who play Debussy on the pianoforte will notice his hypnotic, gamelan-inspired textures. Furthermore, sitar maestro Ravi Shankar collaborated and performed with many big names in classical and contemporary music. To travel back further in time, how about the Cuban-esque habanera L'amour est un Oiseau Rebelle by Georges Bizet or the alla Turca (translation: in Turkish style) third movement of Sonata in A major, K. 331 by Mozart?
John Doe Compare & Contrast Essay The Romantic period (1820-1900) leapt out of the Classical period’s “age of reason” and into an age of fascination and imagination. Great emotion and individualism were characteristics of all art forms in the Romantic, including music. Composers took the musical forms of the Classical period and pushed the envelope in all facets. They reveled in the use of greater dynamics, more expression, and a greater use of timbre than ever before to create a more rich and sensuous sound. Franz Liszt and Richard Wagner stretched the limits of music and stood among the elite composers of this great age of musical accomplishment.
This movement shows itself in the painting and sculpture of Michelangelo, the plays of Shakespeare, and in both the sacred and secular dance and vocal music of the greatest composers of the era. During this period, people in the world when their own lives and their music reflected the exciting discoveries. Beginning of this period;the renessiance mostly used for religious purposes but at the end of this period,the renessiance was more mundane purposes,has become an entertainment tool. I think that The Renaissance,is the most lyrics periods in the history of western and artists of all kinds in Western Europe became more aware of the classical past and the world beyond the narrow confines of medieval theology.In this