Modernist And Postmodernist Dance Development

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Discuss the features and development of modernist and postmodernist dance with detailed reference to at least four key practitioners. As a dancer in the late 19th to the early 20th Century, there was limited range of styles of dance to choose from. Ballet and Vaudeville dominated the stage, other forms of folk dancing and skirt dancing were also popular. Ballet with it's technical virtuosity, entertainment value and visual spectacular was starting to lack inspiration for many dancers, who considered it rigid in technique, and void of emotion and expression. Performers, no longer considering themselves merely dancers, but artists, were looking for freer movements and less severe formalities of dance that allowed them to explore a whole range of subjects, issues and emotions. The leading pioneers of this new approach to dance were Isadora Duncan(1877-1927), Loie Fuller(1862-1928) and Ruth St. Dennis(1879-1968) who were the first inspirational and noticeable dancers to form the modern dance movement. All three of these performers had some previous training in the dance styles of the time but strived to rebel against traditional choreographic rules and gender expectations of society. The first wave of feminism began in the very early 20th Century, and these pioneers of modern dance contributed greatly. They wanted to change the way society thought of the female dancing body and liberate it of the strict constraints of traditional dance therefore also on a wider scale, liberating the female of traditional roles in society and at home. Although they were not politically active feminists, their thoughts and ideals and the issues they were dealing with were all related to the feminist movement of the time making them individual feminist thinkers. Their roles as choreographers and dancers put them in a central position in the feminist debates of the time which

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