Misogynistic Patriarchy In Alfred Hitchcock's The Birds

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6/24/2012 Misogynistic Patriarchy and Distractions from Post-WWII Dystopia In Hitchcocks “The Birds” Movie master Alfred Hitchcock’s 1963 movie The Birds was preceded by, and loosely based on a short story entitled “The Birds,” which was written by Daphne du Maurier and first published in 1952 (Dirks, 2012). Hitchcock’s The Birds faithfully follows a similar plot to Du Maurier’s short story; however, Hitchcock inserted his personal influence by electing to modify certain details of the story’s character and storyline. Hitchcock’s clever modifications of Du Maurier’s plot served to introduce more complex underlying themes, inviting interpretations from a multitude of different angles, thus enhancing the impact of the film. Mainly, the film explores an attitude of patriarchy in an era of post- World War II dystopia. In summary, Hitchcock’s version of The Birds is a partial love story based around the notion of a quasi-apocalyptic attack of homicidal birds raining down on Bodega Bay; a coastal town in northern California. Melanie and Mitch, the two main protagonists, meet in a bird store, and Melanie becomes infatuated with the charismatic Mitch. She underhandedly procures his home address and covertly, arriving via boat, intrudes through his backdoor. After planting a flirtatious gift inside, she returns her boat to the marina to find Mitch (played by Rod Taylor) waiting at…show more content…
Any lack of insight to appreciate the depth of connotations within Hitchcock’s The Birds is simply the consequence of pure philistinism. As Bellanca writes, “The Birds does more than simply relate a series of frightening supernatural events; at its core, the movie manifests anxieties.” Essentially, Hitchcock pioneered a new genre of horror films in which the terror is derived from normally passive subjects acting

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