Laszlo Moholy Nagy

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Composition (Kompozícia) Z VIII was an artwork constructed by Laszlo Moholy-Nagy in his early years as an Artist. Much of his work were constructed as a result of stories, paths and inspirations such as, the movement in which he lived, his lover, and various artist’s paintings that he could connect with. The steps Moholy-Nagy took in gathering ideas and elements to construct this artwork accumulated over time with thoughts. During Word War I, Painting and drawing stroked Moholy-Nagy as a self-fulfillment leisure pursuit. After arriving in Berlin during 1920 with no formal training he engaged in his arts almost instantaneously where during this era; Dadaism, Suprematism, and particularly constructivism were prominent artistic trends which all influenced Laszlo Moholy-Nagy and his works to a greater extent.
Works from both Malevich and El Lissitzky attracted Moholy-Nagy by their artworks simplicity. Furthermore, Moholy-Nagy engaged in long-term examination of the works by Rodchenko, Tatlin and Kandinsky in order to educate himself about the cultural aspects of the Russian Revolution. These ideas therefore influenced his future artistic productions and styles. Nevertheless Suprematism, Russian Constructivism and Dada would influence Moholy-Nagy’s personal style.
Throughout 1921, Moholy-Nagy created a series of paintings, which were exposed of allusion. Moholy-Nagy explored color, space, light and transparency. Art was than becoming “something pure, liberated from usefulness and beauty, something elemental which can arise in each person” (Passuth, 2011). After grasping the influence of Dadaism, he began using the elements of space, time, mass, and light in his earlier works seen most notably within’ K VII, in 1922. Although prior to K VII, many of his earlier paintings were drawn with a broad range of mechanical shapes, typographical characters, gears, and levers as

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