Moreover, the different mediums enable the audience to explore the performative nature of identity and the individualistic nature of ambition and how the different contexts respond to and portray this. Ambition and identity in Richard the Third are overwhelmingly portrayed in a negative light, ultimately resulting in dire consequences; in an Elizabethan context individualism and ambition reflected a person striving to grasp what was not due to them - ultimately, opposing God’s will. Richard, in the play, is represented as both villain and protagonist. We are made aware of Richards duplicitous nature and his evil aspirations as early as Act 1 Scene 1 where he states “I am determinèd to prove a villain” a self referential (and metadramatic in nature) pun which brings about questions of determinism and free will, themes that are explored throughout the play; there is ambiguity around whether or not Richard actually has autonomy over his nefarious deeds, which he goes about plotting. In keeping with his Elizabethan context, Shakespeare can not be seen to oppose the chain of being, the hierarchical chain of the period where a king was at the top,
Then the women try’s to get revenge bye poisoning the man’s new lover. Macbeth was written sometime between 1603 -1606. However it was set hundreds of years in the past. This is because Shakespeare was trying to show the issues at his time such as: The relationship between cruelty and masculinity, The Corrupting Power of Unchecked Ambition and The Difference between Kingship and Tyranny. As king James 1 was the king of Scotland and England he has based the play with him in mind and in Scotland.
Essentially, they are both great mean who have a position in society but each has a fatal flaw. Macbeth’s fatal flaw is ambition and Jekyll’s fatal flaw is professional vanity. Shakespeare presents Macbeth’s sense of evil through soliloquy and imagery, and Stephenson presents Jekyll’s evil through different types of narrative non-linear, third person, first person narrative and imagery. At the start of the play the tragic hero Macbeth is portrayed as loyal to the King and a brave solider. Macbeth is portrayed as a "good being" because he fought for his country and for his king.
In The Tragedy of Macbeth, William Shakespeare demonstrates the build of guilt and remorse that Macbeth and his Queen begin to develop, consequently aids and foreshadows their demise. Shakespeare uses a wide variety of imagery to emphasize how guilt affects Macbeth’s life. Also, throughout the play, multiple pieces of evidence are displayed to prove how Macbeth and Lady Macbeth both change drastically from the beginning to the end of this piece. Finally, towards the end of the play, Macbeth finally comes to terms with himself and his devious actions, thus restoring his old mentality. Guilt is a factor of human nature and touches just about everyone at some point.
William Shakespeare's eponymously titled play Macbeth is one of the most celebrated writings in history and is still being performed and studied today. The play reflects the established socio-cultural beliefs of power and the effects of an illegitimate rule during the Jacobean period. Written in the seventeenth century when belief in a divine-ordained hierarchy prevailed, it was thought that if monarchical power was accessed via illegitimate means, destruction of the mind and state would result. Through the character of Macbeth, Shakespeare positions his readers to believe that power can attract even the most noble of men. In the opening of the play, a loyal Macbeth is approached by three witches who entice him with their claim that “[he] shalt be king thereafter.” (1-3-50).
There is a duality to the character of Hamlet, as his madness changes from a performance to true insanity throughout the play. Initially, in Act 1 Scene 5, Hamlet is coerced by the ghost and decides that he will “put an antic disposition on”. This is the main use of dramatic irony in the play, as the audience knows Hamlet’s madness is performed. However as the play develops and changes, so too does Hamlet’s madness. Act 3 Scene 4 is the main turning point for Hamlet’s madness.
This ironic hindsight into the war also gives the audience a sense of the inspector's wisdom. He is portrayed as the conscience because all throught the play the Inspector is seen as guiding the Birling's away from sin, trying to teach them selflessness and responsibilty for others, in this sense the style of the play is one of morality.We see an opinion of responsibility through the inspector's attitude torwards the sinful actions of the Birling family. He attempts to make Sheila accept her share of the blame 'you're partly to blame'. The Inspector's speech on page 56 of the play clarifies for the audience and
The third contrasts the Elizabethan Society with the modern one, which gives more scientifically and psychological reasons for the mental illness of Lady Macbeth. The rest of the task compares both interpretations of her mental illness and what took her to do such things and why did she end with hallucinations and insomnia which later drove her to her death. Word count: 234 “Macbeth” or “The Tragedy of Macbeth” is a play written by William Shakespeare around the 1606. The tragedy is about a man called Macbeth which is a brave fighter who is winning important battles for the King Duncan in Scotland. Three witches appear once and predicted his future; among those predictions was the one they said that soon Macbeth will reach the crown of Scotland supplanting the recent king, Duncan.
Good and Evil... Shakespeare has borrowed the concept of ying and yang and used it widely in king lear. He explains to his audience, through a variety of techniques and characters and conclusions , that without the good in the world their would be no bad, each cannot exsist without the other. He uses characters in binary opposites and mediums to show that humanity does have the potential for both good and evil. Good and evil ... In the world we live in, it seems that every other person is out for self gain They will step on anyone and do whatever it takes to get what they want, but does that make them purely evil?
This fact reveals that Shakespeare obviously felt that the sub-plot's contribution to the play was very important. It has been mentioned earlier that the sub-plot of the play has a parallel theme to the main plot. The main plot of King Lear revolves around the betrayal of the king by two of his daughters despite the faithfulness of another daughter. The sub-plot revolves around the betrayal of Gloucester by his bastard son Edmund despite the virtue of his legitimate son Edgar. Hence the following parallels can be drawn: Lear-Gloucester, Edmund-Goneril/Regan, Edgar-Cordelia.