Graffiti As An Art Form

613 Words3 Pages
English 150

Normalizing is not Harmonizing
Question 1) When, if ever does graffiti become public art?

Society today is very visually based. The population is constantly bombarded by colors, thus a visual social contract is formed. Signs and numbers guide our movements and speed. The color red represents stop, yellow caution, and green meaning go. Advertising rains down upon us creating a myriad of products and services. Even our clothing features bold logos, and intrinsic advertising. The Nike swooshes a symbol for sporty, cool, hip and active. Amidst this bombardment of visual stimulation lies public space. Public space is as a place where anyone has a right to come without being excluded because of economic or social conditions. Public art, such as statues and fountains are prevalent in these areas. The practice of graffiti has become common in public spaces and private. However there is growing conflict about the practice. Since public space “ …is landscaped, bounded, and controlled space,” its uses are normalized.[1] Graffiti constitutes damage. Which is defined as, “ permanent or temporary impairment of value or usefulness.”[2] Furthermore, the criminal aspect that is coupled with the normalization of public space causes a moral panic. This is said to be a “reaction to a pattern of behavior that is seen as violating accepted norms or laws is disproportional to the threat posed then the behavior in question.”[3] The reaction is disproportionate because the aesthetic and cultural aspects of graffiti are set aside for the criminal code. In examining the causes of this over reaction, the positive social impact of graffiti is exhumed. Graffiti is “ a paradoxical phenomenon, both aesthetic practice and criminal activity.”[4] This aesthetic value can be both socially and culturally. Socially the practice of graffiti “ can be seen as highly
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