Explore Caryl Churchill's Use of Juxtaposition in Act One and Two of Top Girls.

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Explore Churchill’s use of juxtaposition between act one and act two of Top Girls. Churchill’s uses of juxtaposition between act one and act two is shown immediately in the stage directions of act two describing the new setting. Churchill contrasts the setting between them both, the fact that in Act One Marlene is at a restaurant celebrating her promotion with fictional characters which do In fact talk more about their own lives and individual success rather than Marlene’s. In act one it was mostly associated with glamour and wanting to succeed as best as possible in life, whereas in act two from what we’re told in the stage directions this scene is more realistic and isn’t about glamour and working to get a big success. Act two is more realistic because it’s set in a back yard and includes Marlene’s sister Joyce and her daughter Angie and her friend Kit. Angie is Marlene’s daughter who Joyce adopted so Marlene could work her way up the job ladder and get more success, Marlene didn’t want any kids to get in her way of her individual success. The use of juxtaposition here by Churchill contrasts the reality of act two compared to act one. It contrasts between the fact that in act one Marlene never mentions of thinks about Angie who she gave up as a baby and in act two Angie wants to go down to London to see Marlene her ‘aunt’ because she’s special and Angie has a feeling that Marlene is really her mother. In comparison to Marlene want success and only success Angie doesn’t care about her own individual success which is what women thought about in those times. In act one the dialogue used by the women is correct and not slang compared to how Angie and Kit talk to each other in their hut, for example they use language such as “innit” and “stupid fucking cow” and in act one they don’t use language like they do and in these times language heard like this wouldn’t have

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