Evaluating And Analyzing Omkara And Othello

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Shakespeare has often been produced in a settings other than the original,often that are modern, with an interpretive, critical, or political purpose, offering a different point of view of the text or suggesting some contemporary significance in it, both on the stage and in film. Shakespeare has also been adapted in film to create entirely original films based on the Shakespearean text. This adaptation of Othello is a tremendous one, as its purpose is to make Shakespeare available not only to the Indian people but also attuned to the sensibility of a non-English-educated audience, differing only in little plot details. To suit the Indian audience Omkara readjusts the story of Othello by locating it in the interiors of Uttar Pradesh so a very local Indian flavour frills the European frame work.But it it is difficult to imagine any equivalence between the Venice-Cyprus of Othello and the UP of Omkara. If we say that this rural Indian setting is an appropriate translation of the original setting of Othello, there is nothing to justify it: there is no comparison in Venice and the Ottoman Turks fighting over Cyprus, with Othello as the triumphant military leader of the Venetian state and Omkara as the gang boss of a political gangster killing off the political rivals in a gang war.Simply we cannot reduce a Renaissance European conflict to a contemporary gang war. However it proves the universality of Shakespearean tragedy, that it can be played out in any costume and however different the context is. In advertising Omkara as the story of Othello, however, the film does rely upon the prior familiarity of audience with the Shakespearean text for its global success, visibility and marketability. Omkara’s characters are given names that either begin with the same letter as the originals, or sound like those names.The film deals with everything the original story dealt

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