Domestic Masculinity in Poe’s the Black Cat: Is Violence Masculinity?

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Domestic Masculinity in Poe’s The Black Cat: Is Violence Masculinity? Ann Bliss’s article outlines the driving factors in the narrator’s motive in Edgar Allan Poe’s The Black Cat. These driving factors are that of the narrator who ultimately kills his pets and wife in a psychological battle with himself. Bliss argues that the narrator in The Black Cat is faced with oppressing his femininity through actions that resemble masculinity as he is caught between who he is and who he wants to be. His femininity is derived from his “docility,” “humanity,” and “tenderness of heart” drawn from his childhood along with his failures as a man (No children, no employment) as Bliss mentions. Bliss goes on to suggest that the narrator oppresses this femininity with violent actions in which ultimately leads to the death of his two cats and wife. Upon the discovering of his wife’s body by the police Bliss states that the narrator felt a “veneer of masculinity” as he had acted “un-quivered” by the events but went on to be emasculated as the body is discovered. When the narrator “swoons” this the ultimate degree of femininity, as Bliss states. Bliss’s argument is well presented, thorough, and very psychologically in-depth. Although I respect and nearly agree with Bliss’s argument, I believe as if it is over complicated. In my opinion, the narrator is driven by the idea of doing a wrong for the sake of wrongness and the developmental affects of alcoholism. Although, these factors may tie into Bliss’s arguments, I feel that the driving factors behind the narrator’s madness are not of in-depth psychological defects. The narrator simply has a drinking problem. When one drinks, one can act uncontrollably with anger, which brings on unfortunate events. Also, severe alcoholism can bring on delusions and may cause confusion. This is why the narrator had acted as he did. In Bliss’s argument,

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